A work in constant progress (and occasional regress).
Release Date:
December 8, 2018
Original Title:
Rent-an-Elf
Alternate Titles:
Rent-an-Elf: Die Weihnachtsplaner
The Christmas Planner
Genres:
Family | Romance | TV Movie
Production Companies:
The Asylum
Production Countries:
United States of America
Ratings / Certifications:
FR: U
Runtime: 80
Type-A personality, Ava, owns “Rent-an-Elf,” a business in which she sets up a memorable Christmas for busy families. This year, she's hired by the newly-single Liam and falls for him and his adorable son, Nathan. But, just as Ava thinks she’s found her match, Liam’s ex-wife returns, wanting to patch things up. Even though Ava decides to put Liam and Nathan's happiness above her own, she's still determined to give them the best Christmas ever, and maybe even hope for a Christmas miracle or two.
Additional Music:
Andy Forsberg
Best Boy Electrician:
Ronald Mendez
Camera Operator:
David Minadeo
Philip Nathanael
Casting:
Scotty Mullen
Co-Producer:
Paul Bales
Costume Design:
Edith Raya
Director:
Nick Lyon
Director of Photography:
Dante Yore
Executive Producer:
David Rimawi
First Assistant Camera:
Steven Neel
Joe Tomcufcik
First Assistant Director:
Kyle Hardy
Gaffer:
Jeremy Guico
Graphic Designer:
Tammy Klein
Grip:
Ronald Mendez
Key Grip:
Orlando Ordonez
Line Producer:
Canyon Prince
Local Casting:
Sharon Gytri
Makeup Artist:
Austyn Cuccia
Original Music Composer:
Chris Ridenhour
Chris Cano
Producer:
David Michael Latt
Production Design:
Yana Veselova
Second Assistant Camera:
Gavin Supplee
Second Assistant Director:
Nathan Dean Snyder
Sound Mixer:
Eric Tormey
Supervising Sound Editor:
Lisa Ries
Unit Production Manager:
Elizabeth J. Cron
Visual Effects Compositor:
Tammy Klein
Visual Effects Coordinator:
Sasha Burrow
Writer:
Sam Jackson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.