A work in constant progress (and occasional regress).
Release Date:
April 7, 2018
Original Title:
Sleeper
Alternate Titles:
Duplicité ( French Title )
My Husband's Secret Life
Un marido en la sombra
Genres:
TV Movie | Thriller
Production Companies:
Incendo Productions
Production Countries:
Canada
Ratings / Certifications:
DE: 12
Runtime: 90
Up until now, marriage has been smooth sailing for Jennifer Jones. But after suffering a miscarriage, she begins to question her happiness and whether the spark in her marriage has dimmed. She shrugs it off as just being the 7-year itch and gives her husband, Freddy, who is content in their relationship, the benefit of the doubt. Things take an unexpected turn when Jennifer catches Freddy in a few unassuming lies. And when a sudden accident throws Freddy into a coma, Jennifer is left to pick up the pieces and reconcile everything for herself. With Freddy in hospital, a larger story begins to unfold - something that might just be Jennifer's worst nightmare - prompting her to question if she ever really knew the man she was married to.
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"B" Camera Operator:
Serge Desrosiers
ADR Editor:
Natalie Fleurant
Additional Third Assistant Director:
Mike Yarmish
Paul Aton
Natalia Grijalva
Art Department Coordinator:
Isabelle Létourneau
Assistant Accountant:
Melanie Dallaire
Karoline Morin
Assistant Art Director:
Paola Ridolfi
Assistant Location Manager:
Charline Pomerleau
Anita Bensabat
Assistant Sound Editor:
Alexis Pilon-Gladu
Assistant Unit Manager:
Jean-François Rioux
Associate Producer:
Kaleigh Kavanagh
Best Boy Electric:
Nicholas Hohn
Best Boy Grip:
Carlo Secchiaroli
Boom Operator:
Thierry Hoffmann
Camera Trainee:
Ariane Aubin-Cloutier
Julien Dextrase-Morneau
Casting:
Sara Kay
Jenny Lewis
Linda Berger
Casting Assistant:
Kalene Osborne
Casting Associate:
Hannah Abtaki
Costume Designer:
Janet Campbell
Data Wrangler:
Etienne Caron
Decorator:
Mathieu Caron
Dialogue Editor:
Mireille Morin
Director:
Philippe Gagnon
Director of Photography:
Daniel Villeneuve
Dresser:
Danielle Mercier
Editor:
Max Chalifoux
Executive Producer:
Jean Bureau
First Assistant "A" Camera:
Jocelyn Simard
First Assistant "B" Camera:
Isabelle Pépin
First Assistant Accountant:
Erin Dance
First Assistant Director:
Jeremy Peter Allen
Foley Artist:
Simon Meilleur
Gaffer:
Alex Amyot
Grip:
Marc Brault
Hairdresser:
Lyne Lapiana
Key Dresser:
Yvan Cuerrier
Key Grip:
Jean-François Sauvageau
Key Hairdresser:
Sabin Paradis
Key Makeup Artist:
Melissa Purino
Lighting Technician:
Charles Proulx
Jean-Martin Landry
Location Manager:
Pierre Mongrain
Makeup Artist:
Chanelle Ouellette
Online Editor:
Eric Losier
Original Music Composer:
James Gelfand
Louise Tremblay
Post Production Coordinator:
Yannick Gamache
Post Production Supervisor:
Nicole Harvey
Producer:
Jean Bureau
Ian Whitehead
Production Accountant:
Desmond Kennedy
Production Coordinator:
Helene St-Denis
Production Design:
Jean Bécotte
Production Manager:
Simon-Pier Bélanger
Production Secretary:
Marie-Christine Bourgeois
Property Buyer:
Stéphane Connolly
Property Master:
Stéphane Connolly
Script Coordinator:
Rick Cranford
Script Supervisor:
Louise Theriault
Second Assistant "A" Camera:
Ariane Aubin-Cloutier
Isabelle Pépin
Second Assistant "B" Camera:
Ashley Doucet
Gabriel Fortin-Taillon
Second Assistant Director:
Mélany Goudreau
Set Decoration:
Lyne Chénier
Sound Effects Editor:
Raymond Legault
Sound Engineer:
Shaun-Nicholas Gallagher
Sound Mixer:
Aurélien Salvy
Still Photographer:
Bertrand Calmeau
Stunt Coordinator:
Stéphane Lefebvre
Stunt Double:
Felix Famelart
Mitch Spour
Supervising Sound Editor:
Michel B. Bordeleau
Third Assistant Director:
Mélanie Simard
Unit Manager:
Benjamin Sales
Unit Publicist:
Mireille Houde
Wardrobe Master:
Audrey Chikhani
Writer:
Thom Richardson
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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