A work in constant progress (and occasional regress).
Release Date:
September 12, 1989
Original Title:
Johnny Handsome
Alternate Titles:
Fešák Johnny
黎明前恶煞横行
쟈니 핸섬
Genres:
Crime | Drama
Production Companies:
Carolco Pictures
Guber/Peters Company
Roven Productions
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 GR: 16 IE: 15 KR: 18 US: R
Runtime: 94
A career criminal who has been deformed since birth is given a new face by a kindly doctor and paroled from prison. It appears that he has gone straight, but he is really planning his revenge on the man who killed his mentor and sent him to prison.
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ADR Mixer:
Charleen Richards-Steeves
ADR Supervisor:
George Berndt
Art Direction:
Troy Sizemore
Christa Munro
Assistant Accountant:
Mary L. Rand
Assistant Art Director:
Peter Clemens
Assistant Property Master:
Thomas Esteridge
Paula Mazzochi
William D. Derham
Assistant Sound Editor:
Carolina Beroza
Ann Ducommun
Mark Pappas
Associate Producer:
Mae Woods
Ted Kurdyla
Author:
John Godey
Best Boy Electric:
Bob Fillis
Best Boy Grip:
Lloyd Barcroft
Boom Operator:
James M. McCann
Camera Operator:
John R. Leonetti
Casting:
Bonnie Timmermann
Casting Assistant:
Jeff Block
Suzanne Ryan
Color Timer:
Bob Noland
Construction Coordinator:
Thomas A. Morris Jr.
Frank Viviano
Construction Foreman:
David Elliott
Chris Snyder
Costume Design:
Dan Moore
Costume Supervisor:
Brian Callahan
Costumer:
Colby P. Bart
Jo Forman
Director:
Walter Hill
Director of Photography:
Matthew F. Leonetti
Dolly Grip:
Antonio V. Garrido
Editor:
Carmel Davies
Donn Aron
Freeman A. Davies
Executive Producer:
Andrew G. Vajna
Mario Kassar
Extras Casting:
Richard Castleman
First Assistant Camera:
Michael D. Weldon
First Assistant Director:
James Dyer
First Assistant Editor:
Yoko Seto
Gaffer:
Pat Blymyer
Grip:
Bill Barcroft
Johnny London Jr.
Alan Shultz
Hairstylist:
Donna Turner Culver
Peter Tothpal
Key Grip:
John J. Linder
Key Hair Stylist:
Peter Tothpal
Leadman:
Airick Kredell
Lighting Technician:
Terry H. Neville
Robert Fiore
Location Manager:
David Ross McCarty
Allen Tinkley
Makeup Artist:
Zoltan Elek
Michael Germain
Ken Diaz
Music Editor:
Jim Weidman
Original Music Composer:
Ry Cooder
Payroll Accountant:
April A. Janow
Post Production Coordinator:
Noori Dehnahi
Producer:
Charles Roven
Production Accountant:
Marichu Walker
Production Coordinator:
Susan Levinson
Kathleen Herd
Production Design:
Gene Rudolf
Production Secretary:
Patricia Graf
Property Master:
Richard A. Mazzochi
Publicist:
Lloyd Leipzig
Screenplay:
Ken Friedman
Script Supervisor:
Carline Davis-Dyer
Second Assistant Camera:
Stephen J. Ullman
Second Assistant Director:
Barry K. Thomas
Second Second Assistant Director:
Cathy A. Roszell
Second Unit Director:
Allan Graf
Set Decoration:
Airick Kredell
Ernie Bishop
Set Dresser:
John Kaufman
Sound Editor:
Jessica Galavan
Karen G. Wilson
Frank Smathers
Jay Wilkinson
John Morris
Hugo Weng
Sound Effects Editor:
Hamilton Sterling
Sound Mixer:
Richard Bryce Goodman
Sound Re-Recording Mixer:
Gregg Landaker
Michael Minkler
Sound Recordist:
Robert Nichols II
Walter A. Gest
Special Effects:
Wayne Edgar
Chuck E. Stewart
Special Effects Makeup Artist:
Michael Westmore
Special Effects Supervisor:
Joseph P. Mercurio
Still Photographer:
Ron Phillips
Stunt Coordinator:
Allan Graf
Stunts:
John Alden
Henry Kingi
Carl Ciarfalio
Andree Gibbs
Bill McIntosh
Gregory J. Barnett
Joe Finnegan
Mel Scott-Thomas
Webster Whinery
Tracy Keehn-Dashnaw
Tim A. Davison
Lynn Fogg
John Sherrod
Cheryl Wheeler Duncan
Supervising Sound Editor:
Jerry Ross
Title Designer:
Eric Fitzgerald
Transportation Captain:
Maxwell R. Johnson II
Transportation Coordinator:
Steve Boyd
Unit Production Manager:
Ted Kurdyla
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.