A work in constant progress (and occasional regress).
Release Date:
April 8, 2017
Original Title:
Moonlight in Vermont
Alternate Titles:
A la luz de la luna
Genres:
Romance | TV Movie
Production Companies:
Beth Grossbard Productions
Hallmark Media
Storybox Entertainment
Production Countries:
Canada | United States of America
Ratings / Certifications:
US: G
Runtime: 90
After fast-paced New York City high-end real estate broker Fiona Rangely gets dumped by her boyfriend, she escapes to her family’s quaint Vermont Inn for a few days to slow down and evaluate her life. When her ex-boyfriend Nate shows up at the Inn with a brand new girlfriend, Fiona quickly devises a plan to win him back: pretend the handsome and very laid- back head chef Derek is her new boyfriend! Much to the surprise of Derek --and to Fiona herself-- in pretending to be in love, she realizes that she’s been thrown a curveball: sometimes the best things in life are worth the wait.
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"A" Camera Operator:
Greg Coletti
"B" Camera Operator:
Björn Hermannes
Accountant:
Svatia Sakarova
Animal Coordinator:
Ian Doig
Art Direction:
Kayla Mackey
Assistant Accountant:
Alaena Allen
Assistant Costume Designer:
Marysol Folkesson
Assistant Editor:
Blair Scott
Eugen Mihalicka
Assistant Hairstylist:
Samantha Pinter
Assistant Location Manager:
Steve Kinghorn
Assistant Makeup Artist:
Jessica De-Palma
Assistant Production Coordinator:
Sam Marshall
Laura Obenaus
Chase Brettoner
Assistant Property Master:
Jonathan Krauth
Raquel Fors
Assistant Set Decoration:
Trevor Johnston
Assistant Sound Editor:
Sean Szutka
Best Boy Electric:
Greg Goudreau
Best Boy Grip:
Ben Herman
Boom Operator:
Eric Weisner
Casting:
Penny Perry
Jackie Lind
Colorist:
Jimmy Hsu
Costume Designer:
Odessa Bennett
Costume Set Supervisor:
Taylor Stan
Craft Service:
Anastasia Sharpe
Dialogue Editor:
Stephen Cheung
Director:
Mel Damski
Director of Photography:
Tyler Walzak
Dolly Grip:
Austin De Pourcq
Editor:
Lara Mazur
Executive Producer:
Beth Grossbard
Extras Casting:
Kit Hayward
First Assistant "A" Camera:
Jordan Dowler-Coltman
First Assistant "B" Camera:
Andrew Marchand-Boddy
First Assistant Director:
Patrick Weir
Foley Artist:
Don Harrison
Ian Mackie
Foley Recording Engineer:
Rick Senechal
Gaffer:
Bryn McCashin
Generator Operator:
Sean Grogan
Key Grip:
Connor Thorpe
Key Hair Stylist:
Nina Farrauto
Key Makeup Artist:
Tracy George
Lead Set Dresser:
Ryan Casey
Location Manager:
Michael Farias
Music:
Christopher Nickel
Music Supervisor:
Valerie Biggin
Online Editor:
Cassandra Yaseniuk
Post Production Coordinator:
Nikki Lee
Post Production Supervisor:
Jason Macintyre
Producer:
Harvey Kahn
Production Accountant:
Christina Lynch
Production Controller:
Marnie Termuende
Production Coordinator:
Yale Kussin
Production Design:
Sean Kirkby
Production Manager:
Catherine Kretz
Production Sound Mixer:
James Schoening
Matthew Cameron
Production Supervisor:
Allen Lewis
Property Master:
Michelle Allan
Script Supervisor:
Holly Atchison
Second Assistant "A" Camera:
Bailey Mills
Second Assistant "B" Camera:
Steven Singh
Second Assistant Director:
Troy Scott
Set Decoration:
Jacqueline Miller
Set Dresser:
Jonathan Peter Fill
Sound Designer:
Ryan Thompson
Sound Re-Recording Mixer:
Ryan Thompson
Greg Stewart
Special Effects Coordinator:
Darcy Davis
Still Photographer:
Ryan Plummer
Third Assistant Director:
Jeff Croft
Transportation Captain:
Tsering Rongae
Transportation Coordinator:
Dean Fitzpatrick
Truck Supervisor:
Stephanie Mawdsley
Visual Effects Supervisor:
Barry Liu
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.