A work in constant progress (and occasional regress).
Release Date:
March 8, 2018
Original Title:
Katie Says Goodbye
Genres:
Drama
Production Companies:
Parallell Cinéma
Relic Pictures
Unknown Subject
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 88
A kindhearted seventeen-year-old in the American Southwest turns to prostitution to fulfill her dream of a new life in San Francisco.
ADR Engineer:
Chris White
Additional Second Assistant Camera:
Daniel Maestas
Art Direction:
Raphael Sorcio
Assistant Chef:
Marciano Moreno
Assistant Editor:
Emmanuel Dayan
Connor Sullivan
Assistant Location Manager:
Mark Torrez
Katherine Wellman
Sheri Barlow
Associate Producer:
Jennifer Madeloff
Mike McGuirk
Ben Pakman
Best Boy Electric:
Michael Sanchez
Best Boy Grip:
Benito Barcenas
Boom Operator:
Ryan Begay
Casting Director:
Cindy Tolan
Adam Caldwell
Catering Head Chef:
Robert Boldt
Co-Executive Producer:
Igaal Hanouna
Wayne Maggin
Co-Producer:
Glen Trotiner
Colorist:
Sam Daley
Construction Coordinator:
Chris Reisz
Dan McCarthy
Costume Design:
Amit Gajwani
Digital Imaging Technician:
Jannis Schelenz
Director:
Wayne Roberts
Director of Photography:
Paula Huidobro
Editor:
Sabine Emiliani
Electrician:
Nick Chamberlin
Executive Producer:
Antonio Campos
Sean Durkin
Josh Mond
Michael Balchan
Lionel Houbas
Jeff G. Waxman
First Assistant Accountant:
Brennan Berger
First Assistant Camera:
Cory Stambler
First Assistant Director:
Johnny Callaway
Foley Artist:
Pascal Chauvin
Gaffer:
Christopher Griffin
Graphic Designer:
Susan Canady Henry
Grip:
Dustin Popeck
Hair Department Head:
Janine Maloney
Key Grip:
Trevor Rogers
Key Production Assistant:
Javier Alvarado
Leadman:
Delaney Marsh
Locale Casting Director:
Angelique Midthunder
Makeup Department Head:
Frieda Valenzuela
Music Supervisor:
Joe Rudge
Rob Lowry
On Set Dresser:
Kimberly Fleming
Original Music Composer:
Dan Romer
Producer:
Eric Schultz
Carlo Sirtori
Jacob Wasserman
Max Born
Kimberly Parker
Benjamin Steiner
David Steiner
Production Accountant:
Eli Gurevich
Production Assistant:
Rachel Stevens
Production Coordinator:
Amanda Cordova
Production Design:
Tania Bijlani
Property Master:
Raymond Pacheco
Ben Lowney
Tabitha Orr
Scenic Artist:
Dionisio Tafoya
Dean Armijo
Script Supervisor:
Colleen E. Moody
Second Assistant Camera:
Lane Luper
Second Assistant Director:
Benjamin J. Murray
Second Second Assistant Director:
Jimmy Grob
Set Decoration:
Scott Christopher Clark
Set Dresser:
Joshua Scott
Set Medic:
Christopher Olguin
Set Production Assistant:
John Carillo
Omar Nadir
Brittany Waddleton
Sound Mixer:
David Sickles
Sound Re-Recording Mixer:
Michael Kurihara
Jean Goudier
Steadicam Operator:
Ariel Rakes
Matthew Fleischmann
Still Photographer:
Cathy Kanavy
Stunt Coordinator:
Ed Duran
Stunt Double:
Angelique Midthunder
Supervising Sound Editor:
Jean Goudier
Michael Kurihara
Title Designer:
John Komar
Unit Production Manager:
Janie Elliott
Visual Effects:
Perry Kroll
Wardrobe Supervisor:
Tuezday Naper
Writer:
Wayne Roberts
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.