A work in constant progress (and occasional regress).
Release Date:
November 23, 1988
Original Title:
Full Moon in Blue Water
Alternate Titles:
Luna llena en agua azul
Genres:
Drama | Romance
Production Companies:
The Turman-Foster Company
Trans World Entertainment
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 95
Floyd, the owner of a bar on the Texas coast, has been depressed for a year after his wife disappeared in a swimming accident. He lives with his senile father-in-law "The General" and is helped by Jimmy, a former asylum inmate, and the good-natured Louise. The bar is rapidly losing money and Charlie wants to buy it cheaply before it becomes publicly known that a nearby bridge is to be built. Louise offers her savings to go into partnership with Floyd, but Floyd decides to sell when he is forced to pay his back taxes.
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ADR Editor:
Harriet Fidlow
Deborah Wallach
Art Department Assistant:
B.J. Moses
Assistant Art Director:
Richard G. Huston
Keith Belli
Assistant Editor:
Patricia Bowers
Assistant Production Coordinator:
Francine Lauzon
Assistant Sound Editor:
Nick Stavrogin
Michael Shore
Associate Producer:
Dennis Stuart Murphy
Best Boy Electric:
George Mays
Best Boy Grip:
Steve Graves
Boom Operator:
Peter F. Kurland
Camera Loader:
Jeff Graham
Casting:
Ed Johnston
Ed Mitchell
Construction Manager:
Chuck Singleton
Costume Design:
Rondi Hillstrom Davis
Director:
Peter Masterson
Director of Photography:
Fred Murphy
Editor:
Jill Savitt
Electrician:
Jim Dinn
Michael Vacker
Harvey Rivera
Executive In Charge Of Production:
Paul Mason
Helen Szabo
Executive Producer:
Moshe Diamant
Eduard Sarlui
Extras Casting:
Sue Liberman
First Assistant Camera:
Jorgen Wedseltoft
First Assistant Director:
Robert Engelman
Foley Supervisor:
Louis Bertini
Gaffer:
Wayne Forster
Grip:
Steve Lubbe
Dennis Clay
Bubba Sheffield
Linda Field
Hairstylist:
Bob Harper
Sally J. Harper
Key Grip:
Jeff 'Moose' Howery
Leadman:
Steven K. Barnett
Location Manager:
Tina Brawner
Susan Elkins
Makeup Artist:
Ronnie Specter
Music Coordinator:
Bob Hunka
Music Editor:
Tom Carlson
Original Music Composer:
Phil Marshall
Post Production Coordinator:
Susan Gee
Laure Stevens
Post Production Supervisor:
Fima Noveck
Producer:
David Foster
John Turman
Lawrence Turman
Production Accountant:
Barbara Long
Production Coordinator:
Tina Brawner
Shelly Glasser
Production Design:
Neil Spisak
Production Manager:
Dennis Stuart Murphy
Production Secretary:
Linda Mader
Barbara Wright
Georganne Sweetin
Production Supervisor:
Lisa Yesko
Property Master:
Holly McDonald
Props:
Amy Broad
Barbara Haberecht
Scenic Artist:
Jim Cavalucci
Eddie Cavalucci
Script Supervisor:
Susan Malerstein
Second Assistant Camera:
Steven Kline
Second Assistant Director:
Eric Jones
Set Decoration:
Jeanette Scott
Set Dresser:
Don Davis
Sound Editor:
Abe Nejad
Sound Mixer:
Douglas Axtell
Sound Re-Recording Mixer:
Tom Fleischman
Still Photographer:
Ron Phillips
Zade Rosenthal
Stunt Coordinator:
Spiro Razatos
Stunt Double:
Phil Culotta
Supervising Sound Editor:
Michael Steinfeld
Transportation Captain:
Howard Griffith
Transportation Coordinator:
Michael R. Kern
Unit Publicist:
Irene Walzer
Wardrobe Assistant:
Eva Prappas
Susan Kijamichez
Wardrobe Supervisor:
Fran Allgood
Writer:
Bill Bozzone
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.