A work in constant progress (and occasional regress).
Release Date:
April 6, 2017
Original Title:
Mad to Be Normal
Alternate Titles:
Metanoia
Genres:
Drama | History
Production Companies:
Bad Penny Productions
GSP Studios
Gizmo Films
Production Countries:
United Kingdom
Ratings / Certifications:
IE: 15
Runtime: 106
The story of Scottish psychiatrist RD Laing and his unique community at Kingsley Hall, East London in the 1960s.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Michele Woods
Art Direction:
Katie Gormley
Assistant Art Director:
Josh Pocock
Assistant Property Master:
Christian Hicks
Boom Operator:
Andrew Walsh
Jaime Sotelo
Co-Producer:
Harriet Hammond
Costume Design:
Lance Milligan
Costume Supervisor:
Emily Rose Spreadborough
Dialogue Editor:
Michele Woods
Digital Intermediate:
Abigail McKenzie
Director:
Robert Mullan
Director of Photography:
Ali Asad
Editor:
Laurie Yule
Executive Producer:
Peter Gerard Dunphy
Norman Merry
Julian Hicks
Charlie Wood
Peter Hampden
Kirsty Bell
Victor Glynn
Foley:
Ian Waggott
Paul Hanks
Foley Editor:
Ben Cross
Gaffer:
Ruben Cardol
Hairstylist:
Jodie-Marie Spencer
Key Grip:
Andy J. Dowart
Makeup Artist:
Stephanie Bentham
Makeup Designer:
Frances Hounsom
Makeup Supervisor:
Gina Trinchese
Music Supervisor:
Rupert Hollier
Original Music Composer:
Laurie Yule
Producer:
Alan Latham
Charlotte Arden
Phin Glynn
Production Design:
Celina Norris
Production Sound Mixer:
Mike Shoring
Property Master:
Adam Bell
Rigging Gaffer:
Antony Robert Ephgrave
Script Supervisor:
Naomi Marvelly
Sound Effects Editor:
Anna Bertmark
Sound Recordist:
Mike Shoring
Still Photographer:
Paul Stephenson
Stunt Coordinator:
Curtis Rivers
Writer:
Robert Mullan
Tracy Moreton
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.