A work in constant progress (and occasional regress).
Release Date:
December 16, 2016
Original Title:
A Kind of Murder
Alternate Titles:
The Blunderer
Genres:
Crime | Drama | Thriller
Production Companies:
Killer Films
Production Countries:
United States of America
Ratings / Certifications:
DE: 12 JP: G RU: 18+
Runtime: 96
In 1960s New York, Walter Stackhouse is a rich, successful architect and unhappily married to the beautiful but damaged Clara. His desire to be free of her feeds his obsession with Kimmel, a man suspected of brutally murdering his own wife. When Walter and Kimmel's lives become dangerously intertwined, a ruthless police detective becomes convinced he has found the murderer. But as the lines blur between innocence and intent, who, in fact, is the real killer?
ADR Editor:
David Briggs
ADR Mixer:
Bill Higley
Mark DeSimone
Ric Schnupp
Additional Lighting Technician:
Lucas Ankney
David Jarred
Additional Music:
Chase Deso
Animal Wrangler:
Megan-Kate Hoover
Art Department Coordinator:
Jenn McLaren
Assistant Camera:
Joe Bearese
Assistant Editor:
Vincent F. Welch
Brian McCarthy
Assistant Location Manager:
Jane Streeter
Assistant Property Master:
Laura Dennings
Best Boy Electric:
Scott Lipez
Best Boy Grip:
Mike Dittiacur
Boom Operator:
Zach Mueller
Camera Operator:
David Litz
Casting:
Jenny Jue
Casting Associate:
Krista Husar
Chef:
Luis Moreno
Chief Lighting Technician:
Russ Faust
Cinematography:
Christopher Vernale
Clearances Coordinator:
Laura Sevier
Cassandra Barbour
Co-Producer:
Andy Goddard
Construction Coordinator:
Terry Myers
Paul Peabody
Costume Designer:
Sarah Mae Burton
Costume Supervisor:
Cristina Spiridakis
Costumer:
Jaclyn Laravie
Jane Streeter
Craft Service:
Pam Ford
Dialogue Editor:
David Briggs
Digital Compositor:
Victor Torres
Leo Sandler
Digital Imaging Technician:
Christopher Ratledge
Digital Intermediate Assistant:
Kevin Kaim
Danny Keefe
Dean Mozian
Digital Intermediate Colorist:
Sean Dunckley
Digital Intermediate Producer:
Megan Marquis
Carolyn Cury
Megan Rumph
Director:
Andy Goddard
Director of Photography:
Chris Seager
Dolly Grip:
Chris Salamone
Driver:
Oscar Beguiristain
John R. Holt Sr
Billy Baxter Sr.
Scott McMullen
Mike Carpenter
Billy Baxter Jr.
Billy Lyons
Craig Eastep
Dennis Neaubauer
Drew Perkins
Editor:
Jane Rizzo
Elísabet Ronaldsdóttir
Epk Camera Operator:
Mark Denney
Executive Producer:
Peter Graham
Stephen Hays
Darren M. Demetre
John Jencks
Alexa Seligman
Jay Taylor
David Hinojosa
Nick Meyer
Marc Schaberg
Joe Simpson
First Assistant Accountant:
Amanda Jabes
First Assistant Camera:
Amy Faust
First Assistant Director:
Chris Debenedetto
Foley Artist:
Alex Carpenter
Foley Editor:
Ric Schnupp
Craig Kyllonen
Foley Mixer:
Beaux Neylon
Gaffer:
Michael Runner
Generator Operator:
Clifton Radford
Grip:
Paul Wallace
Hair Department Head:
Tanya Tieman
Key Costumer:
Ryane Disken-Cahill
Key Grip:
Jeff Fisher
Key Hair Stylist:
Anna Maria Reyer
Key Makeup Artist:
Anne Taylor
Leadman:
Lance R. Walters
Legal Services:
Jerry L. Dasti
Don Hardison
Sarah Hong
Lighting Technician:
Brian Whitlock
Thomas William Vincent
Location Casting:
D. Lynn Meyers
Location Manager:
Nicholas Deroo
Location Production Assistant:
Gregory Glevicky
Ryan Livingston
Makeup Department Head:
Jodi Byrne
Music Editor:
Jasmin Way
Music Supervisor:
Jim Black
Novel:
Patricia Highsmith
On Set Dresser:
Shelby Hamet
Original Music Composer:
Danny Bensi
Saunder Jurriaans
Painter:
Robert Naber
Payroll Accountant:
Amanda Jabes
Post Production Accountant:
Pete Hayes
Anthony Putvinski
Post Production Coordinator:
Jamal Bilal
Post Production Supervisor:
Isabel Henderson
Producer:
Kelly McCormick
Christine Vachon
Ted Hope
Susan Boyd
Producer's Assistant:
Brad Becker-Parton
Jonathan Johnson
Jayna Schlegel
Nathan Proctor
Production Accountant:
Phil LoGrippo
Production Coordinator:
Jonathan Focil
Production Design:
Pete Zumba
Production Intern:
Christopher Scherer
Michael Chioran
Kathleen Fitzgerald
Sara Hornbeck
Seth Daly
Josie Barnett
Production Secretary:
Erin Forbes
Production Supervisor:
Syndey Huynh
Jamal Bilal
Property Master:
Rose Leiker
Pyrotechnician:
Richard Fike
Scoring Mixer:
Phil McGowan
Screenplay:
Susan Boyd
Script Supervisor:
Belle Francisco
Second Assistant Accountant:
Selena Burks Rentschler
Second Assistant Camera:
Michael Wooten
Second Assistant Director:
Roslyn Aronowitz
Second Second Assistant Director:
Jack Grimmett
Set Decoration:
Jim Warren
Set Decoration Buyer:
Sarah Young
Set Dresser:
Ryan Tudor
Vanessa O'Kelley
Thomas F. Kelly
Set Medic:
Carl Murray
Craig Forster
Set Production Assistant:
SB Weathersby
Wyatt DeMasters
Casey Shelton
Zachary Severt
Eric Ransbottom
Thomas Fatora
Sound Mixer:
Adam Rabinowitz
Sound Re-Recording Mixer:
Daniel Brennan
Special Effects Supervisor:
Amy Bradford
Special Effects Technician:
Chad Ball
Stand In:
Brad Smith
Kevin Borngrebe
Katie Keller
Karissa Yates
Still Photographer:
Brian Douglas
Stunt Coordinator:
Richard Fike
Stunt Double:
Josh Dean
Supervising Sound Editor:
Rich Bologna
Tailor:
Maggie Dick
Thanks:
Max Lukach
Lawrence Page
Brandon Fidanque
George Waud
D. Todd Shepherd
Georgia Goggin
Shelley Madison
Title Designer:
Andrew Lim
Transportation Captain:
Craig Metzger
Transportation Coordinator:
Eric Miller
Unit Production Manager:
Darren M. Demetre
Utility Sound:
Reid Rice
Visual Effects Supervisor:
Andrew Lim
Jeremy Newmark
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.