A work in constant progress (and occasional regress).
Release Date:
May 8, 2015
Original Title:
Hot Pursuit
Alternate Titles:
Belas e Perseguidas
Don't Mess With Texas
Dos Locas en Fuga
Miss Bodyguard - In High Heels auf der Flucht
Sexy et en cavale
Genres:
Action | Comedy
Production Companies:
Metro-Goldwyn-Mayer
New Line Cinema
Pacific Standard
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BG: C BR: 12 DE: 12 FR: TP GB: 12 HU: 16 IE: 12 JP: G LT: N-13 NL: 6 PL: 16 RO: 15 US: PG-13
Runtime: 87
Straight-arrow policewoman Cooper is excited and thrilled about her next assignment. Her task is to escort Daniella Riva, a wisecracking Colombian beauty, from San Antonio to Dallas so both she and her husband can testify against a drug lord. Plans go awry when Mr. Riva gets ambushed, leaving Daniella a widow. Cooper and her witness must now use their wits to escape from crooked cops and murderous gunmen, while not killing each other in the process.
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ADR Supervisor:
Chris Jargo
Daniel Saxlid
Art Direction:
Jaymes Hinkle
Casting:
Amanda Mackey
Cathy Sandrich Gelfond
Co-Producer:
Katie Silberman
Costume Designer:
Catherine Marie Thomas
Director:
Anne Fletcher
Director of Photography:
Oliver Stapleton
Editor:
Priscilla Nedd-Friendly
Executive In Charge Of Production:
Peter Oillataguerre
Executive Producer:
Sofía Vergara
Jeff G. Waxman
Luis Balaguer
First Assistant Director:
Joe Camp III
Gaffer:
Andy Ryan
Hair Department Head:
Donita Miller
Hairstylist:
Crystal Wells
Jennifer Hodges
Lona Vigi
Lawrnell Bell-Rattler
Kelly Kline
Key Hair Stylist:
Dee Leveque
Key Makeup Artist:
Jillian Erickson
Location Assistant:
Tyler Hohmann
Makeup Artist:
Robin Fredriksz
Nikki I Brown
Jack Lazzaro
George Black
Makeup Department Head:
Stacy Kelly
Music Supervisor:
Buck Damon
Original Music Composer:
Christophe Beck
Producer:
Reese Witherspoon
Dana Fox
Bruna Papandrea
Production Design:
Nelson Coates
Production Sound Mixer:
Steve C. Aaron
Screenplay:
David Feeney
John Quaintance
Script Supervisor:
Susanna David
Second Assistant Director:
Kevin Lum
Second Unit Director:
E.J. Foerster
Second Unit Director of Photography:
Duane Manwiller
Set Decoration:
Carla Curry
Sound Re-Recording Mixer:
Christopher Assells
Ron Bartlett
Dean A. Zupancic
Special Effects:
Peter Chesney
Special Effects Coordinator:
Donnie Dean
Stunt Coordinator:
Charles Croughwell
E.J. Foerster
Stunt Double:
Marny Eng
Tammie Baird
Jason Ament
Stunt Driver:
Donna Evans
Vanessa Motta
Stunts:
Terry Leonard
Jeannie Epper
Tracy Keehn-Dashnaw
Callie Croughwell
Mike Majesky
Chelsea Bruland
Matt Baker
Sean Paul Braud
Rick Blanchard
Jason Ament
Thomas Rosales Jr.
Ted Barba
Trace Cheramie
Ted Alderman
Carl Anthony Nespoli
Mark Miscione
Chuck Picerni Jr.
Michael Endoso
Danny Epper
Adam Horwitz
Leigh Hennessy
Bob Minor
Kurt Deville
Deven MacNair
Pauline Boudreaux
Taryn Terrell
Tracy E. Thomas
Ray Lykins
Corrina Roshea Bobb
David Rowden
Danny Cosmo
James Ryan
Kevin Waterman
Patrick Potochick
James Bendishaw
Eric VanArsdale
Met Salih
Dotan Bonen
George Quinones
Nathan Siebring
Mark Kubr
Supervising Sound Editor:
Karen Baker Landers
Visual Effects Supervisor:
Raymond Gieringer
Tim Carras
Darwin Go
John P. Nugent
Michael A. Miller
Guillermo Ramos
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.