A work in constant progress (and occasional regress).
Featuring:
Ferry Salim, Lola Amaria, Niniek L. Karim
Written by:
Puguh P.S. Admadja
Directed by:
Nia Di Nata
Release Date:
February 7, 2002
Original Title:
Ca-Bau-Kan
Genres:
Drama | History | Romance
Production Companies:
Kalyana Shira Films
Production Countries:
Indonesia
Ratings / Certifications:
N/A
Runtime: 119
Ca Bau Kan relates the saga of Giok Lan, an Indonesian woman living in the Netherlands, who returns to Indonesia in search of her roots. Her mother, Tinung, a village woman, was known as ‘Ca Bau Kan’ – a word used to describe a courtesan who entertained Chinese men in colonial Indonesia. Giok Lan’s father, Tan Peng Liang (Ferry Salim), was an immigrant Chinese merchant who had a very successful tobacco business in Batavia. She becomes deeply involved with him, and causes a scandal when he has Tinung move in with his family. The film is set between 1930 and 1950, and unfolds the story of Giok Lan and her parents: Tinung and Tan Peng Liang where Tan is eventually ruined when his rivals begin to attack him. This is owing to the significant contrast in socio-economic and cultural background, as the love of these last two characters face a series of difficulties.
A women from Holland returns to Indonesia, the country of her roots. When she was a little child she was given up for adoption and now she is ready to discover the story of her life. She finds out that the truth about both her parents is very revealing, shocking at times, but comes to terms with her past.
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ADR Coordinator:
Deni D. S. Rudiono
Puguh P. S. Admadja
Fredly Kaumbur
ADR Recordist:
Kahar
Art Direction:
Iri Supit
Assistant Art Director:
Iskak Sujono
K. Rudy Wiratmoko
M. Rusman
Winarno
Hendri Medan
Setyo Wardhono
Andy Auric
Assistant Camera:
Luthfi Christianto
Aga Wahyudi
Assistant Editor:
Gunawan bin Jamin
Assistant Property Master:
Herwiratno
Boom Operator:
Sutrisno
Casting Coordinator:
Erly Ashy
Chief Lighting Technician:
Nico Andreas
Choreographer:
Bekti Lasmini
Clapper Loader:
Yaya Said
Construction Coordinator:
Iri Supit
Ibnu Darmawan
Costume Design:
Chossy Latu
Costume Supervisor:
Anton Diaz
Dialect Coach:
Remy Sylado
Emri Margono
Tan De Seng
Tiong Gie
Aty Cancer
Director:
Nia Dinata
Director of Photography:
German G. Mintapradja
Editor:
Sastha Sunu
Executive Producer:
Otis Hahijary
Afi Shamara
Nia Dinata
Datuk Hakim Thantawi
Extras Casting Coordinator:
Erly Ashy
Deni D. S. Rudiono
Finance:
Constantin Papadimitriou
First Assistant Art Direction:
Ibnu Darmawan
First Assistant Director:
Puguh P. S. Admadja
Focus Puller:
Aga Wahyudi
Foley Artist:
Taufik Hidayat
Ismadi Aselih
Graphic Designer:
Anindita Rahardjo
Key Grip:
Didi Setiadi
Key Hair Stylist:
Jonky Pitoy
Key Makeup Artist:
Jonky Pitoy
Line Producer:
Heru Effendi
Location Assistant:
R. Eddy K.
Location Manager:
Sebastian Pratoto
Makeup & Hair:
Arthur Carl Maringka
Dick Nasution
Music Director:
Andi Rianto
Sekar Ayu Asmara
Novel:
Remy Sylado
Post Production Producer:
Sari Nirmolo
Producer:
Sekar Ayu Asmara
Tino Saroengallo
Afi Shamara
Nia Dinata
Production Accountant:
Moses Yose Rizal Siregar
Production Assistant:
Yun Toni
Production Coordinator:
Darnoto
Production Secretary:
Erly Ashy
Tia Hasibuan
Property Master:
Ulfa Hassan Waworuntu
Publicist:
Reita Malaon
Researcher:
Eddy Prabowo
Herwiratno
Screenplay:
Puguh P. S. Admadja
Nia Dinata
Script Supervisor:
Irfan Hadi Wibowo
Second Assistant Director:
Fredly Kaumbur
Second Unit Director:
Fredly Kaumbur
Second Unit Director of Photography:
Yudi Datau
Sound Editor:
Kahar
Adityawan Susanto
Sound Mixer:
Devanata Gura
Sound Re-Recording Mixer:
Satrio Budiono
Greg P. Fitzgerald
Sound Recordist:
Handi Ilfat Ibrahim
Sound Supervisor:
Adityawan Susanto
Still Photographer:
Stefanny Imelda
Storyboard Artist:
Gatot P. Boediman
Supervising Editor:
Sentot Sahid
Third Assistant Director:
Deni D. S. Rudiono
Transportation Captain:
Darnoto
Unit Production Manager:
Sari Nirmolo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.