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The Hundred-Foot Journey (2014) [PG]

Release Date:
August 6, 2014

Original Title:
The Hundred-Foot Journey

Alternate Titles:
100 steg från Bombay till Paris
A 100 Passos de Um Sonho
From Bombay to Paris: The Hundred-Foot Journey
Le voyage de cent pas
Madame Mallory e il piccolo chef indiano
Un viaje de diez metros
Šimto žingsnių kelionė

Genres:
Comedy | Drama

Production Companies:
Amblin Entertainment
DreamWorks Pictures
Harpo Films
Image Nation Abu Dhabi
Participant
Reliance Entertainment
Touchstone Pictures

Production Countries:
India | United Arab Emirates | United States of America

Ratings / Certifications:
AU: PG  BR: 10  CH: 6  CZ: 15+  DE: 12  DK: 7  FI: K-16  GB: PG  GR: Κ  HU: 16  IE: PG  JP: G  NL: 6  NO: 7  PL: 12  PT: M/12  SE: 11  TR: Genel İzleyici Kitlesi  TW: 保護級  US: PG 

Runtime: 122

Life's greatest journey begins with the first step.

Overview from TheMovieDB

A story centered around an Indian family who moves to France and opens a restaurant across the street from a Michelin-starred French restaurant.

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Additional information:

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Trailer

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Performers

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Production

"B" Camera Operator:
Joel Olsson

ADR Editor:
Gina Alfano
Tony Martinez

ADR Mixer:
Robert Edwards

ADR Voice Casting:
Barbara Harris

Art Department Coordinator:
Jean-Jacques Boulben

Art Direction:
Karen Schulz Gropman
Alain Guffroy
Philippe Lacomblez
Ravi Srivastava

Assistant Costume Designer:
Eudald Magri

Assistant Sound Editor:
Eric Strausser

Author:
Richard C. Morais

Boom Operator:
Frédéric Pardon

Camera Loader:
Camille Durin

Casting:
Lucy Bevan

Co-Producer:
Holly Bario
Raphaël Benoliel

Costume Design:
Pierre-Yves Gayraud

Costume Supervisor:
Nathalie Chesnais

Dialogue Editor:
Eliza Paley

Digital Compositor:
Jeremy Johnson

Director:
Lasse Hallström

Director of Photography:
Linus Sandgren

Editor:
Andrew Mondshein

Executive In Charge Of Post Production:
Mark Graziano

Executive Producer:
Caroline Hewitt
Carla Gardini
Jeff Skoll
Jonathan King

First Assistant "A" Camera:
Daniel Wannberg

First Assistant "B" Camera:
Boris Abaza

First Assistant Director:
Mishka Cheyko

First Assistant Editor:
Michael J. Wechsler

Foley Artist:
Rachel Chancey
Marko Costanzo

Foley Editor:
Rachel Chancey

Foley Mixer:
George A. Lara

Gaffer:
Kent Kääntä

Hair Designer:
Véronique Boslé

Hairstylist:
Gil Allan
Véronique Gély

Key Hair Stylist:
Rémy Pilot

Key Makeup Artist:
Albane Cousinard

Location Manager:
Jérôme Albertini

Makeup Artist:
Catherine Lobgeois
Shirin Ben Hassen
Maya Benamer

Makeup Designer:
Hue Lan Van Duc

Music Arranger:
Matthias Gohl

Music Editor:
E. Gedney Webb

Music Producer:
Matthias Gohl

Music Supervisor:
E. Gedney Webb

Original Music Composer:
A.R. Rahman

Post Production Supervisor:
Alison Beckett

Producer:
Steven Spielberg
Oprah Winfrey

Production Design:
David Gropman

Production Sound Mixer:
Jean-Marie Blondel

Property Master:
Arthur Wicks

Screenplay:
Steven Knight

Script Supervisor:
Dominique Piat

Second Assistant "A" Camera:
Vincent Scotet

Second Assistant "B" Camera:
Hélène Degrandcourt

Second Assistant Director:
Delphine Bertrand

Second Second Assistant Director:
Felix Baudouin

Set Decoration:
Sabine Delouvrier
Seema Kashyap
Marie-Laure Valla

Songs:
Matthias Gohl

Sound Designer:
Dave Paterson
Michael Kirchberger

Sound Re-Recording Mixer:
Michael Barry
Dave Paterson

Special Effects Coordinator:
Jean-Christophe Magnaud

Special Effects Supervisor:
Philippe Hubin

Steadicam Operator:
Joel Olsson

Still Photographer:
François Duhamel

Stunt Coordinator:
Dominique Fouassier

Stunts:
Tony Augé
Jérôme Gaspard
Nicolas Retabi
Sébastien Fouassier
Malory Pacevicius
Alexandre Vu

Supervising ADR Editor:
Eliza Paley

Supervising Art Director:
Karen Schulz Gropman
Alain Guffroy

Supervising Dialogue Editor:
Michael Kirchberger

Supervising Sound Editor:
Michael Kirchberger

Third Assistant Director:
Aurore Coppa

Transportation Coordinator:
Nathalie Anselme

Unit Production Manager:
Antonin Depardieu
Simon Fraser

Unit Publicist:
James Ferrera

Visual Effects Producer:
Mitchell Ferm

Visual Effects Supervisor:
Brendan Taylor

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.