A work in constant progress (and occasional regress).
Release Date:
January 18, 2000
Original Title:
A Storm in Summer
Genres:
Drama | TV Movie
Production Companies:
Hallmark Entertainment
Showtime Pictures Inc.
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 94
Set in 1969, Abel Shaddick, a crotchety deli owner, has a grudge against virtually everyone in his upstate New York town of Fairview, particularly against his slacker nephew Stanley who lives behind the shop. Without telling his uncle, Stanley agrees to put up a needy city kid for the summer as part of a charity program run by rich debutante Gloria. Abel immediately vetoes the plan, but it is too late. The kid, young Herman Washington, is already on his way...
ADR Mixer:
Michael Miller
ADR Recordist:
Jim Nolan
ADR Supervisor:
Bob Newlan
Art Department Assistant:
Kristen Johnson
Assistant Accountant:
Shaun McKay
Assistant Chief Lighting Technician:
Peter Mohr
Assistant Costume Designer:
Marco Daxton
Assistant Decorator:
James Kilcher
Assistant Editor:
Greg Dean
Lynn Leonhard
Assistant Grip:
Andrew Mackie
Assistant Hairstylist:
Linda Jones
Assistant Location Manager:
Flemming Lund
Assistant Makeup Artist:
Lyn Defehr
Assistant Production Coordinator:
Don Munro
Assistant Property Master:
Wes Hamby
Assistant Sound Editor:
Todd Murakami
Nathan Hankins
Heather Hyun
Assistant Sound Engineer:
Brian Valentino
Boom Operator:
Jon Lavender
Camera Operator:
Harvey LaRocque
Camera Trainee:
Nathan McTague
Casting:
Sid Kozak
Penny Ellars
Casting Assistant:
A.J. Unger
Chief Lighting Technician:
Einar Hansen
Construction Buyer:
Dean Rossmo
Construction Coordinator:
Patrick Romine
Construction Foreman:
Glen Hierlihy
Costume Designer:
Cynthia Summers
Dialogue Editor:
Sonya Henry
Director:
Robert Wise
Director of Photography:
Albert J. Dunk
Dolby Consultant:
Bryan Pennington
Dolly Grip:
Gerhard Ramone Young
Editor:
Jack Hofstra
Electrician:
J. F. Raymond
Ross Green
Executive Producer:
Robert Halmi Jr.
Renée Valente
Extras Casting:
James Forsyth
First Assistant Camera:
Cameron Hayduk
First Assistant Director:
Pete Whyte
Foley Artist:
Dale W. Perry
Paul Holzborn
Foley Editor:
John Edwards-Younger
Foley Mixer:
Zeke Richardson
Generator Operator:
Brian Lymer
Grip:
Riley Sweeting
James Vinblad
Hairstylist:
Michael Pachal
Intern:
Justin Rosesser
Key Grip:
Jeff Plecas
Location Manager:
Matthew Chipera
Location Production Assistant:
Kimberly Lozinski
Makeup Artist:
Joan Isaacson
Music Coordinator:
Susan Pilcher
Music Producer:
Elmer Bernstein
On Set Dresser:
Jimi Campbell
Original Music Composer:
Cynthia Millar
Post Production Coordinator:
Robert C. Rodriguez
Post Production Supervisor:
Chad Tomasoski
Post-Production Manager:
Tim King
Production Accountant:
Reva Clavier
Production Assistant:
Mark Kandborg
Jon Schwarz
Daryl White
Kimberly Lozinski
Gisela Schulte
Production Coordinator:
Nancy Dack
Production Designer:
Andrew Deskin
Production Manager:
Kim Steer
Production Sound Mixer:
Tim Richardson
Property Master:
Chris Cooper
Scenic Artist:
Joe Wilmott
Scoring Mixer:
Steve Smith
Screenplay:
Rod Serling
Script Supervisor:
Patricia Barry
Second Assistant Camera:
Jessica Moskal
Second Assistant Director:
Patrick Weir
Second Assistant Production Coordinator:
Jaqueline Bissley
Set Buyer:
Susan Kosola
Set Costumer:
Denise Gingrich
Set Decoration:
Shannon Murphy
Set Designer:
Raul Casillas
Sound Effects Editor:
Bruce Tanis
Mike Babcock
Sound Re-Recording Mixer:
James Bolt
Christian P. Minkler
Sound Recordist:
Tim Gomillion
Special Effects Coordinator:
Darren Marcoux
Stage Director:
Jon Schluckebeir
Still Photographer:
Paul Michaud
Stunt Coordinator:
Ernie Jackson
Supervising Sound Editor:
Anthony Mazzei
Third Assistant Director:
Steve Eathorne
Unit Publicist:
Alison Wells
Wardrobe Supervisor:
Janice Swayze
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.