A work in constant progress (and occasional regress).
Release Date:
May 18, 1994
Original Title:
Les Patriotes
Alternate Titles:
The Patriots
Genres:
Crime | Drama
Production Companies:
Gaumont
Glem Production
Les Productions Lazennec
SFP
Production Countries:
France
Ratings / Certifications:
FR: TP
Runtime: 142
Ariel, a young French Jew, decides to leave his family to go to Israel and secretly become an agent of Mossad, the Israeli secret service. After years of training, his first mission is in Paris to steal secrets from Remy Prieur, a French atomic scientist.
Assistant Camera:
Yehuda Sar-Israel
Assistant Editor:
Laurence Briaud
Assistant Sound Editor:
Anne Klotz
Boom Operator:
Yohai Moshe
Laurent Zeilig
Stéphane Thiébaut
Camera Operator:
Moshe Levin
Casting:
Stéphane Touitou
Jennifer Shull
Conductor:
Guy Printemps
Costume Design:
Marie Malterre
Director:
Éric Rochant
Director of Photography:
Pierre Novion
Editor:
Pascale Fenouillet
First Assistant Camera:
Joseph Zicherman
Blackford 'Boots' Shelton
Stéphane Cami
First Assistant Director:
Paolo Trotta
Adi Arbel
Steve Apicella
Foley Artist:
Pascal Chauvin
Gaffer:
Murdoch Campbell
Jean-Claude Neveu
Jean-Claude Hamelin
Grip:
Gilles Rollot
Guy Bodas
Dave Kramer
Dionisis Spinopolos
Micha Ben-Simhon
Hugues Lefort
Mordi Boaz
Théo Louis Jean
Dean Citroni
Key Grip:
Gérard Bérardier
Shimon Sabach
Georges Roblin
Original Music Composer:
Gérard Torikian
Producer:
Alain Rocca
Production Design:
François Comtet
Thierry François
Production Manager:
Xavier Amblard
Screenplay:
Éric Rochant
Script Supervisor:
Olivia Bruynoghe
Second Assistant Camera:
Caroline Roussel
Thomas Lappin
Sound Editor:
Sylvie Gadmer
Sound Mixer:
Jean-Jacques Ferran
Rick Angelella
Sound Re-Recording Mixer:
Dominique Dalmasso
Steadicam Operator:
Bernard Wuthrich
Still Photographer:
Guy Ferrandis
Jim Klebau
Nicole de Castro
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.