A work in constant progress (and occasional regress).
Release Date:
September 7, 2024
Original Title:
Father to Son
Genres:
Drama
Production Companies:
Copernier Films
Production Countries:
Hungary | United Kingdom
Ratings / Certifications:
N/A
Animal Wrangler:
Attila Demeter
Art Direction:
Julia Katherine Perrin
Assistant Camera:
Ottó Seres
Assistant Editor:
Laura Ittzes (as Perczel Laura Hanna)
Casting Associate:
Faye Bradbrook
Laurent Winkler
Casting Coordinator:
Erika Vincze
Cinematography:
George Perrin
Co-Producer:
Julia Katherine Perrin
Edit Trunkó
Dialogue:
Zsanett Kertész
Director:
George Perrin
Dramaturgy:
Margaret Glover
Editor:
George Perrin
Lighting Technician:
Gábor Kucsma
Enkhbold Rentsenkhorloo
Location Sound Mixer:
Dávid Kovács
Location Sound Recordist:
Nándor Budai
Tihamér Németh
Makeup Artist:
Réka Kocsis
Medical Consultant:
Csiba Attila
Orsolya Fábián
Antal Horváth
Music:
George Perrin
Producer:
George Perrin
Production Assistant:
Nóra Svec
Production Manager:
Edit Trunkó
Prop Maker:
Adrienn Görbe
Props:
Ovari Panka
Boglárka Nagy
Set Designer:
Anikó Györgyi Nagy
Sound Designer:
Zoltán Vadon
Special Effects Supervisor:
Norbert Orosz
Special Effects Technician:
Tímea Baráth-Orosz
Géza Kocsis
Still Photographer:
Edit Trunkó
Thanks:
Alpár Balázs
Mária Trunkóné Balogh
Elod Bressel
Géza Czipott
Gary Dando
Gábor Debrodi
Nicolas Hackenberg
Péter Halász
Eszter Laura Iván
Orsolya Kasza
Gyula Krasnyánszky
Gábor Leon
István Mag
István Mag
Paula Parducz
András Pok
Nick Shadel
Andi Sinkovics
Jurij Svec
Bendegúz Szeghy
László Trunkó
Gábor Urbán
József Vas
Eszter Vianello
Krisztina Ágói
Translator:
Olga Dmitrijevna
Transportation Captain:
Gábor Bakonyi
Writer:
George Perrin
Writers' Production:
András Imrényi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.