A work in constant progress (and occasional regress).
Original Title:
La Mecánica de los Fluidos
Alternate Titles:
The Mechanics of Fluids
Genres:
Drama | Romance
Production Companies:
Escuela Internacional de Cine y Televisión (EICTV)
Production Countries:
Cuba
Ratings / Certifications:
N/A
Runtime: 12
In a house where repression is the mandate, Ricardo is complicit in Ivan longing for his first kiss, but, in trying to help him confront his desire, he breaks the bond of brotherhood between them.
Art Direction:
Rogelio Miralles
Assistant Camera:
Carolina Timoteo
Deborah Hernández
Assistant Director:
Jacopo Hurle
Assistant Editor:
Santiago M. Andrade
Assistant Sound Editor:
Nathalia Quimbay Cadena
Camera Operator:
Valéria Anze Sandoval
Cinematography:
Jose Urco Sánchez
Cloth Setup:
Marisela Perdomo
Continuity:
Sindy Rodríguez
Director:
Fady Gamal Soliman
Editor:
Geo Souza
Electrician:
Alseny Cámara
Yerandy Hernández de Paz
Executive Producer:
Coke Hernández
Matheus Moura
Gaffer:
Eduardo Lobo Trujillo
Makeup & Hair:
Carolina Montero
Producer:
Coke Hernández
Matheus Moura
Production Coordinator:
Walter Jiménez Mamani
Production Trainee:
Kevin Argudín
Sound:
Lilliam Chacón
Sound Assistant:
Sérgio Salum
Sound Designer:
Lilliam Chacón
Sound Director:
Lilliam Chacón
Sound Editor:
Lilliam Chacón
Sound Effects:
Lilliam Chacón
Sound Mixer:
Lilliam Chacón
Sound Recordist:
Lilliam Chacón
Video Assist Operator:
Elisa Ferrer Baldomá
José Raúl Ortiz
Nicolás Baksht Somonte
Writer:
Stefano Lopes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.