A work in constant progress (and occasional regress).
Original Title:
Anba Dlo
Genres:
Drama | Fantasy | Romance
Production Companies:
Escuela Internacional de Cine y Televisión (EICTV)
Kinolakay
Maloka Filmes
Mata Fechada Filmes
Ursana Filmes
Production Countries:
Brazil | Cuba | Haiti
Ratings / Certifications:
N/A
Runtime: 18
Two days after the death of her boyfriend Yvon, Nadia, a young Haitian immigrant in Cuba, receives visits at her home from different people who care for her in her grief. As she watches her mourning, Yvon prepares to make one last visit.
Art Department Assistant:
Raydel Estradabreu
Art Direction:
Verónica Abdo García
Assistant Camera:
Clara Borrell
Cíntia Molter
Carolina Timoteo
Assistant Director:
Manu Zilveti
Assistant Editor:
Julia da Costa
Casting Director:
Sofia Sahakian
Catering:
Mayrin Barbon
Cande Palma
Cinematography:
Well Amorim
Cloth Setup:
Marisela Perdomo
Co-Producer:
Luiza Calagian
Rosa Caldeira
Continuity:
Ada Urquiola
Director:
Luiza Calagian
Rosa Caldeira
Driver:
Rogelio Antonio Gonzalez
Yunior Enamorado Guerra
Editor:
Luiza Garcia
Electrician:
Andy Armenteros García
Alseny Cámara
Hassan Cervantes
Executive Producer:
Matheus Moura
Gaffer:
Eduardo Lobo Trujillo
Makeup & Hair:
Marisela Perdomo
Mix Technician:
Angie Hernández
Producer:
Matheus Moura
Well Amorim
Producer's Assistant:
Joab Huc
Production Assistant:
Kevin Argudín
Production Coordinator:
Rakel Melgar
Duda Feistauer
Sound:
Taíssa Monteiro
Sound Assistant:
Cecília Pedrosa
Sound Designer:
Taíssa Monteiro
Sound Director:
Taíssa Monteiro
Sound Editor:
Taíssa Monteiro
Sound Effects:
Saulo Adrian
Sound Effects Designer:
Saulo Adrian
Sound Mixer:
Angie Hernández
Sound Recordist:
Taíssa Monteiro
Still Photographer:
Raydel Estradabreu
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.