A work in constant progress (and occasional regress).
Release Date:
August 15, 2024
Original Title:
Kang Mak (From Pee Mak)
Alternate Titles:
Kang Mak
Tình Người Duyên Ma: Tái Hợp
คังมาก
បងម៉ាកសំណព្វចិត្ត
Genres:
Comedy | Horror | Romance | War
Production Companies:
Falcon Pictures
Production Countries:
Indonesia
Ratings / Certifications:
ID: 13+ MY: P13 PH: R-13 SG: PG13 TH: 13
Runtime: 122
Returning home with his friends, a soldier reunites with his wife, not knowing she's become a ghost. But her death's not the end of their love story.
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3D Artist:
Izak Nurman
Muhammad Yudha
Yusuf Tegar Wijaya
Rahmad Ariefandy
Eddymas Pandu Prasetyo
Muhammad Ferdi Yahya
Wahyu Putra Nugraha
ADR Editor:
Riezki Harramadhan
Arib Amrussahal
Art Direction:
Ari Mario Hediawan
Assistant Art Director:
Ayi Pamungkas
Assistant Costume Designer:
Timami Yestha P.
Abraham Sukarno Poespo
Ani Marfungah
Fatwa Dwi Oga Melanio
Assistant Editor:
Pahlawan Chaniago
M Farhan Suryo
Irfan Musyaffa
Assistant Makeup Artist:
Patricia Magdalena
Theodora Kristina
Sri Puady Muthmainnah
Rose Rina
BTS Footage:
Daniel Sentosa
BTS Photographer:
Adriyadi Hidayat
Boom Operator:
Onet Zulfikar
Camera Operator:
Donal Gultom
Casting Coordinator:
Ersan Rahmana
Casting Director:
Gilang Numerouno
Rahmi Suzi Elvira
Clapper Loader:
Malil Murtado
Co-Editor:
Wildan M. Cahyo
Dwi Cahyo Nugroho
Compositing Artist:
Ganda Hartadi
Dhimastahta Dhanar
Costume Designer:
Retno Ratih Damayanti
Craft Service:
Aviv Yasin
Wikatmoko
Dialogue Editor:
Sutarjo
Armanda Ahmad
Digital Imaging Technician:
Adli Ramadhan
Digital Intermediate Producer:
Yudha Dharma Bandawi
Director:
Herwin Novianto
Director of Photography:
Edi Michael
Editor:
Ryan Purwoko
Executive Producer:
HB Naveen
Dallas Sinaga
Sri Hiroo Bharwani
Smt. Vinita Bharwani
Fight Choreographer:
Cep Hendra
First Assistant Director:
M Harmoko
Focus Puller:
Heru Darmawan
Foley Artist:
Charista Elliani
Foley Editor:
Martin Handi
Leo Erwando
Gaffer:
Gunadi
Hairstylist:
Medi Triyono
Ernest Librecht Pattiasina
Siska Yuni
Line Producer:
Joice Tifaona
Location Manager:
Dana Arianto
Makeup & Hair:
Aktris Handradjasa
Music Director:
Fajar Ahadi
Music Editor:
Muhammad Abduh Al Mustofa
Music Producer:
Agus Saputro
Musician:
Devara Egga Perdana
Original Film Writer:
Banjong Pisanthanakun
Chantavit Dhanasevi
Nontra Kumwong
Post Producer:
Agung Haryanto
Freddy Sutanto
Producer:
Frederica
Production Coordinator:
Ibnu Mahzam
Steven Malianto
Production Design:
Wencislaus de Rozari
Project Manager:
Fickry Ajie Dwiputra
Property Buyer:
Redi Pake
Property Master:
Rachmat Hidayat
Rotoscoping Artist:
Trio Saputra
Abrar Basit
Irpan Permana
Imanudin Ali Faturrohman
Faezalluthfi
Akhmad Nurul Khakam
Nedio Petya Alfaridz
Pandu Pradipta Djati Kusuma
Rayhan Audi Akbar
Fahrezan Adi Bagaskara
Haafiz Ramadhan
Muhammad Muthi'urrohman
Pradika Saputra
Teguh Maulana
Eky Qadar
Zhafran Hartadi
Ziv Aqil Hartadi
Dika Pongoo
Yudho Anggoro
Second Assistant Director:
Christopher Smith
Set Dresser:
Nasirun
Rusman Gunawan
Sapto Kwi Handrianto
Galih Suryadi
Set Supervisor:
Lady Audya
Abdul Hanif
Shop Electric:
Armin Yusido
Romliyansah
Sound Assistant:
Dimas Tirtana
Sound Designer:
Satrio Budiono
Sound Effects Editor:
Imanuel Abner
Sound Post Supervisor:
Pandunara Citaraswanto
Sound Re-Recording Mixer:
Satrio Budiono
Arib Amrussahal
Sound Recordist:
Madunazka
Special Effects Supervisor:
Erwin Prasetya Kurniawan
Standby Art Director:
Suci Dewani
Still Photographer:
Adriyadi Hidayat
Supervising Dialogue Editor:
Arib Amrussahal
Riezki Harramadhan
Supervising Sound Effects Editor:
Leo Erwando
Martin Handi
Unit Production Manager:
Sidi Purnomo
Utility Sound:
Rizky Nurdiyanto
VFX Artist:
Wahyu Sulaeman
Adi Febrianto
Ahmad Khoerul Fahmi
M. Rafsanjani
Visual Effects Producer:
Gina Adisa
Abdurohim
Visual Effects Supervisor:
Ganda Hartadi
Writer:
Alim Sudio
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.