A work in constant progress (and occasional regress).
Release Date:
November 14, 2024
Original Title:
Matar a un hombre
Alternate Titles:
Matar a um Homem
To Kill a Man
Genres:
Drama | Thriller
Production Companies:
Escuela Internacional de Cine y Televisión (EICTV)
Trasmuta Films
Ursana Filmes
Production Countries:
Cuba
Ratings / Certifications:
N/A
Runtime: 12
Javi shows up for the last time at a queer club where he works as a dancer, but he must deal with Castillo, a regular customer who resists the fact that he will never see him again.
Art Department Assistant:
Daniel Sanabia
Damián Pérez
Daniel Torres
Assistant Director:
María Rentería
Stefano Lopes
Assistant Director Trainee:
Frank David Guerra
Assistant Editor:
Natalie Uni Marie
Casting Assistant:
Dylan Álvarez
Frank David Guerra
Catering:
Andy del Pino
Catering Head Chef:
María Candelaria Palma
Cinematography:
Clara Borrell
Continuity:
Carmen González Haidar
Costume Assistant:
Maydolis Herrera
Costumer:
Yudit Domínguez
Director:
Orlando Mora Cabrera
Editor:
Verónica Díaz
Electrician:
César Adriano Romeu
Miguel de la Cruz
Jaime Carmona
Carolina Timoteo
Santiago Moreno
Alseny Cámara
Daniel Arboleda
Focus Puller:
Luiza Calagian
Gaffer:
Yoniel Valdés Quirós
Makeup & Hair:
Loe Reyes Aguilar
Makeup & Hair Assistant:
Maricela Perdomo
Music:
Rafael Ramírez
Producer:
Matheus Moura
Priscilla Valdez Durán
Producer's Assistant:
Alseny Cámara
Frank Quintana
Frank David Guerra
Walter Jiménez Mamani
Production Coordinator:
Rakel Melgar
Production Design:
Juan Carlos Tavio
Production Secretary:
Iraida Tamayo
Security:
Andy Armenteros García
Sound:
Lyn Santos
Sound Assistant:
Joaquín Portocarrero
Saulo Adrian
Sound Director:
Lyn Santos
Sound Editor:
Lyn Santos
Sound Mixer:
Lyn Santos
Video Assist Operator:
Brayan Juya Soler
Writer:
Isadora Lis
Joab Huc
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.