Home

Colours of Time (2025) [N/A]

Release Date:
May 22, 2025

Original Title:
La venue de l'avenir

Genres:
Comedy | Drama

Production Companies:
Ce Qui Me Meut Motion Pictures
Ce qui me meut
France 2 Cinéma
La Compagnie Cinématographique
Panache Productions

Production Countries:
Belgium | France

Ratings / Certifications:
CH: 12  IE: 12A 

Runtime: 126

Overview from TheMovieDB

Brought together by the unexpected inheritance of an abandoned house in rural Normandy, four cousins discover they share a mysterious family history. In 1895, their ancestor Adèle, then aged 21, leaves her hometown to search for her mother in Paris. She discovers a city on the cusp of modernity, bustling with new-found avant-garde creativity, with the rise of photography and the birth of Impressionist painting. As her descendants retrace her steps, they unravel Adèle's surprising past. The two timelines of 1895 and 2024 intertwine and collide, confronting the cousins’ contemporary attitudes with life in late 19th century Paris, leaving everyone’s future forever changed.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

Additional Grip:
Louis Douillez

Additional Hairstylist:
Thibault Debleds

Assistant Art Director:
Francesca Motte

Assistant Camera:
Mathéo Palma

Assistant Production Manager:
Calixte Bordet
Paul Rembert
Lisa Derveaux
Léa Pich
Hihcham Tajine
Rose Cacheux
Claire Delample
Alexandre Laudic
Laura Marais
Amir Baylly
Jules Mellot

Assistant Property Master:
Julia Plassmann

Assistant Script:
Juliette Moreau
Juliette Moreau

Assistant Set Decoration:
Maryem Grongueche

Boom Operator:
Pierre Picq

Casting Director:
Constance Demontoy

Colorist:
Natacha Louis

Concept Artist:
Mark Schons

Construction Buyer:
Nicolas Doerler

Construction Coordinator:
Ludovic Erbelding

Costume Assistant:
Julian Moeglin

Costume Design:
Pierre-Yves Gayraud

Director:
Cédric Klapisch

Director of Photography:
Alexis Kavyrchine

Electrician:
Julien Homo-Bavent

Extras Casting:
Amélie Covillard

Extras Casting Assistant:
Liz Vogel

First Assistant Art Direction:
Marianne Arsa

First Assistant Camera:
Laurent Pauty

First Assistant Director:
Elise Lahouassa

Gaffer:
Renaud Garnier

Graphic Designer:
Teddy Barouh
Pauline Grethen
Luce Jalbert

Grip:
Axel Auger

Hair Department Head:
Jane Milon

Hairstylist:
Aude Cogrel

Lighting Technician:
Mickaël Bonnet

Location Scout:
Fabien Pondevaux
Carole Reinhard

Makeup Artist:
Aure-Anne Tholance

Original Music Composer:
ROB

Producer:
Cédric Klapisch
Bruno Levy

Production Design:
Marie Cheminal

Production Manager:
Sylvie Peyre

Rigging Grip:
Peter Souel

Screenplay:
Cédric Klapisch
Santiago Amigorena

Script Supervisor:
Léa mothet

Second Assistant Camera:
Juliette Pruvost

Second Assistant Director:
Bénédicte Dujardin

Sound:
Cyril Moisson

Special Effects Makeup Artist:
Frédérique Foglia

Steadicam Operator:
Rémi Quilichini

Unit Manager:
Fabrice Aurigny
Chloé Renault

Unit Production Manager:
Raphaël Santarelli

Video Assist Operator:
Louis Douillez

Visual Effects Supervisor:
Cédric Fayolle

Wardrobe Assistant:
Marie Langelé

Wardrobe Coordinator:
Marion Foare
Jovita Negro

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.