A work in constant progress (and occasional regress).
Alias:
Rob
Birthplace:
Caen, Calvados, France
Born:
July 13, 1978
Robin Coudert (born 15 May 1978), also known by his stage name ROB, is a French pop/rock musician, singer-songwriter, producer and film score composer. Born in Caen, Robin Coudert, alias ROB, is a musician, author, singer, composer, producer. He began learning music with the classical trumpet at the age of 8, and continued his instruction with the synthesizer and the piano, and thus created his first electronic compositions at the age of 10. Rob discovered performing with a heavy-metal band at 14, then a funk band at 16. Along with his musical experiences, he entered the Beaux-Arts in Paris in 1996, where he joined the studio of the painter Vladimir Velickovic. However, it was the Source label that spotted Rob, presented by his friends from the band Phoenix. In 1998, he participated in the Source Rocks compilation, from which his first EP, "Musique pour un enfant jouet", was extracted. In 2001, Source released his first album "Don't Kill", followed by "Satyred Love" in 2002. During the production of these, he met the sound engineer Jack Lahana, with whom he continued for all of his works. Rob then began a series of collaborations: with Sébastien Tellier or Phoenix, whom he will accompany on stage on keyboards and percussion since then. He then produced / directed albums for various artists, Melissa Mars (2007), Zaza Fournier (2008 and 2011), Alizée (2010), Adanowsky (2010) or Leon Larregui (2016)… In 2010, with the Institubes label, he created the “Dodecalogue” project, a series of 12 instrumental discs devoted to the Gospels. The work will be left unfinished in the sixth volume with the closing of Institubes. His cinematographic experience began in 2005 with the short film "Pink Cowboy Boots" by Maria Larrea, which he married that same year, and has been actively pursued since 2010. Rob creates the original music for "Belle Épine" by Rebecca Zlotowski (2010), "Populaire" by Régis Roinsard (2012) nominated for the Césars for best original music, "Maniac" by Franck Khalfoun (2012), "Made In France" by Nicolas Boukhrief (2015), “Revenge” by Coralie Fargeat (2018)… In 2015 he began his collaboration with Éric Rochant on “Le Bureau des Légendes”, for which he created the original music for the five seasons, until 2020. His career continues to continue in cinema, series and documentaries with more than 30 original music composed to date. The Parisian studio Hippocampus, created with Jack Lahana, houses all of his productions. Source: Article "Robin Coudert" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Additional Music:
2015 Rabid Dogs
Compositor:
2015 Rabid Dogs
2018 Cities of Last Things
2023 Big Kids
Music:
2015 Rabid Dogs
2017 Gangsterdam
2018 Cities of Last Things
2022 Nightsiren
2023 Acid
2023 Big Kids
2023 The Dam
2023 White Paradise
2024 She Stays
Original Music Composer:
2010 Belle épine
2012 Maniac
2012 Populaire
2013 Grand Central
2013 Horns
2013 Rock the Casbah
2015 Made in France
2015 Rabid Dogs
2016 Down by Love
2016 Planetarium
2017 Amityville: The Awakening
2017 Et les mistrals gagnants
2017 Gangsterdam
2018 Cities of Last Things
2018 Revenge
2019 Papicha
2019 Three Days and a Life
2020 Gretel & Hansel
2020 Run Sweetheart Run
2021 Oxygen
2022 Nightsiren
2023 Acid
2023 Big Kids
2023 The Dam
2023 White Paradise
2024 Ex-Husbands
2024 Never Let Go
2024 She Stays
Music:
2024 Nudes
Original Music Composer:
2015 The Bureau
2018 Troy: Fall of a City
2024 Nudes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.