Robin Coudert (b. 1978)

Alias:
Rob

Birthplace:
Caen, Calvados, France

Born:
July 13, 1978

Robin Coudert (born 15 May 1978), also known by his stage name ROB, is a French pop/rock musician, singer-songwriter, producer and film score composer.  Born in Caen, Robin Coudert, alias ROB, is a musician, author, singer, composer, producer. He began learning music with the classical trumpet at the age of 8, and continued his instruction with the synthesizer and the piano, and thus created his first electronic compositions at the age of 10.  Rob discovered performing with a heavy-metal band at 14, then a funk band at 16.  Along with his musical experiences, he entered the Beaux-Arts in Paris in 1996, where he joined the studio of the painter Vladimir Velickovic.  However, it was the Source label that spotted Rob, presented by his friends from the band Phoenix. In 1998, he participated in the Source Rocks compilation, from which his first EP, "Musique pour un enfant jouet", was extracted. In 2001, Source released his first album "Don't Kill", followed by "Satyred Love" in 2002. During the production of these, he met the sound engineer Jack Lahana, with whom he continued for all of his works.  Rob then began a series of collaborations: with Sébastien Tellier or Phoenix, whom he will accompany on stage on keyboards and percussion since then.  He then produced / directed albums for various artists, Melissa Mars (2007), Zaza Fournier (2008 and 2011), Alizée (2010), Adanowsky (2010) or Leon Larregui (2016)…  In 2010, with the Institubes label, he created the “Dodecalogue” project, a series of 12 instrumental discs devoted to the Gospels. The work will be left unfinished in the sixth volume with the closing of Institubes.  His cinematographic experience began in 2005 with the short film "Pink Cowboy Boots" by Maria Larrea, which he married that same year, and has been actively pursued since 2010.  Rob creates the original music for "Belle Épine" by Rebecca Zlotowski (2010), "Populaire" by Régis Roinsard (2012) nominated for the Césars for best original music, "Maniac" by Franck Khalfoun (2012), "Made In France" by Nicolas Boukhrief (2015), “Revenge” by Coralie Fargeat (2018)… In 2015 he began his collaboration with Éric Rochant on “Le Bureau des Légendes”, for which he created the original music for the five seasons, until 2020.  His career continues to continue in cinema, series and documentaries with more than 30 original music composed to date.  The Parisian studio Hippocampus, created with Jack Lahana, houses all of his productions.  Source: Article "Robin Coudert" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


Additional Music:
2015  Rabid Dogs

Compositor:
2015  Rabid Dogs
2018  Cities of Last Things
2023  Big Kids

Music:
2015  Rabid Dogs
2017  Gangsterdam
2018  Cities of Last Things
2022  Nightsiren
2023  Acid
2023  Big Kids
2023  The Dam
2023  White Paradise
2024  She Stays

Original Music Composer:
2010  Belle épine
2012  Maniac
2012  Populaire
2013  Grand Central
2013  Horns
2013  Rock the Casbah
2015  Made in France
2015  Rabid Dogs
2016  Down by Love
2016  Planetarium
2017  Amityville: The Awakening
2017  Et les mistrals gagnants
2017  Gangsterdam
2018  Cities of Last Things
2018  Revenge
2019  Papicha
2019  Three Days and a Life
2020  Gretel & Hansel
2020  Run Sweetheart Run
2021  Oxygen
2022  Nightsiren
2023  Acid
2023  Big Kids
2023  The Dam
2023  White Paradise
2024  Ex-Husbands
2024  Never Let Go
2024  She Stays

Music:
2024  Nudes

Original Music Composer:
2015  The Bureau
2018  Troy: Fall of a City
2024  Nudes

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.