A work in constant progress (and occasional regress).
Release Date:
March 27, 2002
Original Title:
À la folie... pas du tout
Alternate Titles:
A la folie pas du tout
A la folie... pas du tout
Bem me quer... Mal me quer!
Han elsker meg, han elsker meg ikke
He Loves Me... He Loves Me Not
Rakastaa... ei rakasta
Szeretni bolondulásig
Älskar, älskar inte...
Genres:
Drama | Romance | Thriller
Production Companies:
Cofimage 12
TF1 Films Production
TPS Cinéma
Téléma
Production Countries:
France
Ratings / Certifications:
AT: 12 CH: 12 CZ: 12+ DE: 12 FR: TP
Runtime: 92
A talented art student named Angélique is passionately in love with Dr. Loïc Le Garrec, a handsome married man whom she believes will leave his wife. When he eventually decides to stay in his marriage, it causes Angélique to spiral. However, as the story shifts from Angélique's perspective to Loïc's, the surprising truth about their relationship is revealed.
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Art Direction:
Cécile Arlet Colin
Casting:
Pierre-Jacques Bénichou
Costume Design:
Jacqueline Bouchard
Director:
Laetitia Colombani
Director of Photography:
Pierre Aïm
Editor:
Véronique Parnet
Executive Producer:
Dominique Brunner
Foley Artist:
Pascal Chauvin
Hairstylist:
Marie-Pierre Hattabi
John Nollet
Key Hair Stylist:
Jean-Pierre Caminade
Key Makeup Artist:
Annick Legout
Jean-Christophe Roger
Original Music Composer:
Jérôme Coullet
Producer:
Charles Gassot
Production Design:
Jean-Marc Kerdelhué
Production Manager:
Sylvie Chevereau-Marchais
Screenplay:
Caroline Thivel
Laetitia Colombani
Set Decoration:
Odile Hubert
Sound:
Marc-Antoine Beldent
Sound Editor:
Jean Dubreuil
Sound Re-Recording Mixer:
Cyril Holtz
Philippe Amouroux
Sound Recordist:
Jacques Descomps
Unit Manager:
Manuel Cazorla
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.