A work in constant progress (and occasional regress).
Release Date:
April 19, 2002
Original Title:
Murder by Numbers
Alternate Titles:
Asesinato... 1-2-3
Cálculo mortal
Genres:
Crime | Drama | Thriller
Production Companies:
Castle Rock Entertainment
Schroeder Hoffman Productions
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BR: 16 CH: 16 CZ: 12+ DE: 16 FR: 12 GB: 15 HU: 12 IE: 16 JP: G NL: 16 PL: 18 PT: M/16 SE: 11 US: R
Runtime: 120
Tenacious homicide detective Cassie Mayweather and her still-green partner are working a murder case, attempting to profile two malevolently brilliant young men: cold, calculating killers whose dark secrets might explain their crimes.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Charleen Richards-Steeves
Paul J. Zydel
ADR Recordist:
David Lucarelli
ADR Supervisor:
Gina Alfano
Apprentice Sound Editor:
Cate Montana
Alexa Zimmerman
Art Department Coordinator:
Robert Blasi
Art Direction:
Thomas Valentine
Assistant Art Director:
John Berger
Masako Masuda
Assistant Costume Designer:
Maggie Morgan
Assistant Editor:
Misako Shimizu
Tamara McDonough
Rebecca Nicolaou
Assistant Hairstylist:
Medusah
Assistant Makeup Artist:
Kathleen Freeman
Assistant Property Master:
Dwayne Grady
Assistant Set Decoration:
Caroline Perzan
Assistant Sound Editor:
Heather Gross
Chris Fielder
Associate Editor:
Michelle Harrison
Best Boy Electric:
Michael J. Bailey
Boom Operator:
Joseph F. Brennan
Camera Operator:
Dustin Blauvelt
Casting:
Howard Feuer
Chief Lighting Technician:
Gary Tandrow
Color Timer:
Dale E. Grahn
Construction Coordinator:
John R. Elliott
Construction Foreman:
Larry Guy Clause
Costume Design:
Carol Oditz
Costume Supervisor:
Linda Matthews
Costumer:
Patia Prouty
Conan Castro Jr.
Lorraine Crossman
Craft Service:
Chris Winn
H. Leah Amir
Dialect Coach:
Jerome Butler
Director:
Barbet Schroeder
Director of Photography:
Luciano Tovoli
Editor:
Lee Percy
Executive Producer:
Sandra Bullock
Jeffrey Stott
First Assistant Editor:
Julie Carr
Foley Artist:
Marko Costanzo
Foley Supervisor:
Kam Chan
Graphic Designer:
Martin Charles
Key Costumer:
Terry Anderson
Key Grip:
Gary C. Beaird
Key Hair Stylist:
Lori Guidroz
Key Makeup Artist:
Valli O'Reilly
Leadman:
Daril Alder
Location Manager:
Julie Duvic
Makeup Artist:
Pamela S. Westmore
Music Coordinator:
Delphine Robertson
Music Editor:
Nic Ratner
Music Supervisor:
Deva Anderson
Negative Cutter:
Mo Henry
Original Music Composer:
Clint Mansell
Pilot:
Cliff Fleming
Bruce Benson
Alan D. Purwin
Post Production Coordinator:
Ann Gray
Post Production Supervisor:
Paul A. Levin
Producer:
Barbet Schroeder
Susan Hoffman
Production Coordinator:
Eileen A. O'Donnell
Production Design:
Stuart Wurtzel
Production Supervisor:
Cindy Hochman
Property Master:
Trish Gallaher Glenn
Rigging Gaffer:
Kevin J. Lang
Scoring Mixer:
Dennis S. Sands
Screenplay:
Tony Gayton
Script Supervisor:
Kerry Lyn McKissick
Set Decoration:
Hilton Rosemarin
Set Designer:
Antoinette J. Gordon
Peter Clemens
Daniel R. Jennings
James F. Truesdale
Steve Saklad
Sound Effects Editor:
Lewis Goldstein
Wyatt Sprague
Sound Mixer:
Thomas Causey
Sound Re-Recording Mixer:
Grant Maxwell
Ron Bochar
Tom Fleischman
Special Effects Coordinator:
Bruno Van Zeebroeck
Steadicam Operator:
Bob Gorelick
Still Photographer:
Suzanne Hanover
Storyboard Artist:
Raymond Consing
Studio Teacher:
Mandy Friedrich
Stunt Coordinator:
Norman Howell
Stunt Double:
Donna Evans
Stunts:
Bruce Benson
Craig Baxley Jr.
Kanin Howell
Cinda-Lin James
Seth Arnett
Stanton Barrett
Supervising Sound Editor:
Nicholas Renbeck
Ron Bochar
Title Designer:
Robert Dawson
Justin Blampied
Simon Cassels
Unit Production Manager:
Steph Benseman
Unit Publicist:
Alex L. Worman
Visual Effects Supervisor:
Charles Gibson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.