A work in constant progress (and occasional regress).
Release Date:
October 11, 1996
Original Title:
The Long Kiss Goodnight
Alternate Titles:
Au revoir à jamais
Un largo beso de despedida
Genres:
Action | Crime | Mystery | Thriller
Production Companies:
Forge
New Line Cinema
The Steve Tisch Company
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BR: 16|14 CZ: 15+ DE: 16 FI: K-16 FR: 12 GB: 15 GR: 16 HU: 16 IE: 18 KR: 18 NL: 18 PT: M/16 SE: 15 US: R
Runtime: 121
An amnesiac schoolteacher (Davis) sets out to recover her identity with the help of a private detective (Jackson) when they discover a dark conspiracy. Samantha Caine, suburban homemaker, is the ideal mom to her 8 year old daughter Caitlin. She lives in Honesdale, PA, is a school teacher and makes the best Rice Krispie treats in town. But when she receives a bump on her head, she begins to remember small parts of her previous life as a lethal, top-secret agent.
24 Frame Playback:
Jasper Vrakking
ADR Editor:
Barbara J. Boguski
Jessica Gallavan
Constance A. Kazmer
Michelle Pazer
Linda Davies
Darrell Hanzalik
Chris Jargo
ADR Mixer:
Doc Kane
Brian Ruberg
Additional Photography:
Ueli Steiger
Art Department Coordinator:
Rhonda Moscoe
Art Department Trainee:
Brenda McClennin
Art Direction:
Dennis Davenport
Steve Arnold
Assistant Art Director:
Renee Durham
Rob Ballantyne
Sarah Low
Benno Tutter
Assistant Camera:
Clyde Miller
Assistant Costume Designer:
Trish Summerville
Assistant Director Trainee:
David MacDonald
Robin M. Reelis
Sean Jara
Sara MacDonald
Assistant Editor:
Terrence Szostek
Barbara Dunning
Suzy Gilbert
Jud Nealon
Adam Boome
Nancy Inouye
Don Roth
Katie Hedrich
Assistant Location Manager:
Peter Boboras
Derek Brady
Martin Earl
Dennis Sincic
Glenn Carter
Richard Hughes
Assistant Set Decoration:
Carolyn A. Loucks
Dan Wladyka
Assistant Sound Editor:
Mollie Gordon
Jon Michaels
Paul O'Bryan
Nick Kharabadz
Dean G. Manly
Best Boy Electric:
R. Gern Trowbridge
Best Boy Grip:
Rod Benjamin
Boom Operator:
Reynald Trudel
Camera Loader:
Suzanne Batinovic
Camera Operator:
David Towers
Andy Chmura
David Norris
Bob Gorelick
Jacqueline Hampton
Mark Hryma
Cotton Mather
Camera Trainee:
Vanessa Ireson
Neil Trafford
Carpenter:
Peter Legault
Mark O'Donoghue
Casting:
Polly Hootkins
Clare Walker
Ronnie Yeskel
Mary Vernieu
Casting Associate:
Alyssa Weisberg
Richard Hicks
Chief Lighting Technician:
Victor Abbene
Co-Producer:
Carla Fry
Color Timer:
Dan Muscarella
Compositing Artist:
Sue Benko
Andy Atkins
Brian Hanable
Bob Wiatr
Compositing Lead:
Dean Lyon
Conductor:
Alan Silvestri
Construction Buyer:
Michael Yerex
Construction Coordinator:
Bill Harman
Costume Design:
Michael Kaplan
Costume Supervisor:
Linda Matthews
Sheila E. Pruden
Costumer:
Quita Alfred
Maria Vaughan
Karen Renaut
Dialogue Editor:
Charles Ewing Smith
Robert Troy
Digital Effects Producer:
Blondel Aidoo
Thomas Thill
Mary Stuart
Digital Effects Supervisor:
T.J. Morgan
Ralph Maiers
Digital Supervisor:
Craig Seitz
Director:
Renny Harlin
Director of Photography:
Guillermo Navarro
Dolly Grip:
Ron Renzetti
Editor:
William Goldenberg
Epk Camera Operator:
Claude Barnes
Executive In Charge Of Post Production:
Joe Fineman
Ric Keeley
Executive Producer:
Richard Saperstein
Steve Tisch
Michael De Luca
Executive Visual Effects Producer:
Michael Yost
Rebecca Ramsey
Extras Casting:
Donna Dupere
Extras Casting Assistant:
Aric Dupere
First Assistant Art Direction:
Michael Shocrylas
Doug McLean
First Assistant Camera:
Noel Verhoog
Alan Cohen
Christopher Raucamp
Kevan Dutchak
First Assistant Director:
Bruce Moriarty
First Assistant Editor:
Robert Komatsu
Thomas R. Bryant
First Assistant Sound Editor:
Linda Yeaney
Foley Artist:
Gary A. Hecker
John Roesch
James Moriana
Jeffrey Wilhoit
Foley Editor:
Dana Gustafson
Judee Flick
Stewart Nelsen
Foley Mixer:
Marilyn Graf
Nerses Gezalyan
Carolyn Tapp
Foley Recordist:
Nerses Gezalyan
Marilyn Graf
Carolyn Tapp
Gaffer:
Scotty Allan
Scotty Allen
Graphic Designer:
Billy D. Choi
Greensman:
Stephanie Waldron
Grip:
Michael Kohne
Rocky Brown
Matthew Pill
Val Schubert
Eric M. Klein
Hairstylist:
Robert Hallowell II
Head Carpenter:
Phillip Tellez
Alex Russell
Imaging Science:
Dion Hatch
Key Grip:
Rick Stribling
Key Hair Stylist:
Paul R.J. Elliot
Katie Brennan
Key Makeup Artist:
Christine Hart
Key Rigging Grip:
Perry Beckham
Key Scenic Artist:
Ian Nelmes
Lighting Technician:
Philip Esteves
Jim MacCammon
Location Assistant:
Derrick Loris
Location Manager:
Marty Dejczak
Georgette Hayden
Scott Currie
Location Production Assistant:
Craig Jackson
John Mendes
Location Scout:
Sherri Wolfson
Makeup Artist:
Tricia Sawyer
Marietta Carter-Narcisse
Modeling:
Robert Bonillas
Lynn Garrido
Phillip Hartmann
Jim Hansons
Gustavo R. Ferreyra
Rick Holman
Jim Bailey
Jamey Levin
Jack Edjourian
Alex Palumbo
Monty Shook
Justin Soliday
Rick Won
John Ramsay Jr.
Ron D. Peake
Dwight Shook
Modelling Supervisor:
Tad Krzanowski
Robert Wilcox
Music Coordinator:
Mark Kaufman
Lisa Brown
Music Editor:
Dan Garde
Jay B. Richardson
Jacqueline Tager
Kenneth Karman
Music Supervisor:
Bonnie Greenberg
Musician:
James Thatcher
George Doering
Negative Cutter:
Mary Nelson-Duerrstein
Orchestrator:
William Ross
Conrad Pope
Original Music Composer:
Alan Silvestri
Other:
Matthew C. Beville
Eddie Bydalek
Erik Flockoi
Painter:
Randy Ross
Post Production Assistant:
Will Shivers
Jack Geist
Jeff McEvoy
Post Production Supervisor:
Bradley M. Goodman
Producer:
Shane Black
Stephanie Austin
Renny Harlin
Geena Davis
Production Controller:
Paul Prokop
Production Design:
Howard Cummings
Production Supervisor:
Diana Schmidt
Property Master:
Vic Rigler
Charles Stewart
Prosthetics:
Jay McClennen
Pyrotechnician:
Edward Gettis
Rigging Gaffer:
Gary Deneault
Rigging Grip:
Roy Elliston
Pete Daprato
Robert DaPrato
Val Schubert
Scenic Artist:
Derek Stevenson
I.R. McEune
Scoring Mixer:
Dennis S. Sands
Screenplay:
Shane Black
Script Supervisor:
Cornelia 'Nini' Rogan
Seamstress:
Loreen Lightfoot
Vera Laurence
Second Assistant Art Director:
Arvinder Greywal
Second Assistant Camera:
Chirayouth Jim Saysana
Carolyn Cox
John Harper
Jeremy Tabarrok
Second Assistant Director:
Lewin Webb
Second Second Assistant Director:
Kristie Sills
Second Unit First Assistant Director:
Cellin Gluck
Set Decoration:
Michael Taylor
Set Designer:
Gordon White
Neil Morfitt
Set Dresser:
Wayne Jacques
Sound Designer:
Paul Berolzheimer
Sound Effects:
Eric Potter
Sound Effects Editor:
Warren Hamilton Jr.
Charles Maynes
William Jacobs
Bob Newlan
Jeffrey Kaplan
Frank Smathers
Ben Wilkins
D. Chris Smith
John Joseph Thomas
Sound Mixer:
Douglas Ganton
Sound Re-Recording Mixer:
Gregory H. Watkins
Doug Hemphill
Paul Massey
Special Effects:
Vincent Montefusco
Beecher Tomlinson
Kaz Kobielski
Special Effects Assistant:
Joe Montenegro
Special Effects Coordinator:
Allen Hall
Ted Ross
Special Effects Makeup Artist:
Russell Cate
Gordon J. Smith
Special Effects Manager:
James L. Roberts
Special Effects Technician:
Sam Mujakanovic
Alex Tellnow
Troy Rundle
Jim Reischl
Chris Duncliffe
Rocco Larizza
Manfred Meissner
Matthew Hall
Wayne Jacques
Arthur Langevin
Tim Lidstone
Pamela Gibson
Peter Sissakis
Howard Munford
Kerry Spurrell
Gary Bryant
Paul Hannigan
Josie Horvath
Kevin Haeberlin
Bob Hall
Standby Painter:
Brad Francis
Steadicam Operator:
Kyle Rudolph
Bob Gorelick
Still Photographer:
Kerry Hayes
Storyboard Artist:
Rick Newsome
John Mann
Stunt Coordinator:
Steve M. Davison
Stunt Double:
Patricia Tallman
Stunt Driver:
Sebastiano Cartier
Stunts:
Brenda Adams
Shane Cardwell
John Dodds
Edward A. Queffelec
Roy T. Anderson
Lloyd Adams
Kiante Elam
Sonia Mayer
Branko Racki
Laura Dash
Tommy J. Huff
Troy Robinson
John Stoneham Jr.
Troy Brown
John Stead
Mic Jones
Kevin Rushton
Tony Cordeiro
Marco Bianco
Alyson Billyard
Peter Szkoda
Robert Racki
Chad Randall
Paul Rutledge
Steve Lucescu
Lance Gilbert
Tom Glass
Ernie Jackson
Danny Lima
John Stoneham Sr.
Anton Tyukodi
Maxine Dumont
Tim Trella
Dana Hee
Rick Parker
Jacob Rupp
Bryan J. Thomas
Sue Parker
Supervising ADR Editor:
Gregg Baxter
Supervising Dialogue Editor:
Stephanie Flack
Supervising Sound Editor:
Stephen Hunter Flick
Third Assistant Director:
Kayla Popp
Catherine Lew
Transportation Coordinator:
Nick Sweetman
Underwater Camera:
Pete Romano
Unit Production Manager:
Scott Thaler
Joseph Boccia
Utility Stunts:
Eric Bryson
VFX Artist:
Paul Howarth
Jep Hill
Brian Holden
Lawrence Carroll
Grady Cofer
Paul Kulikowski
Daniel Miller
Jongwoo Heo
Matthew Twyford
Janice Tso
John Scheer
George Oliver
Marc Scott
M. Zachary Sherman
Russell Frazier
Naomi A. Sato
VFX Director of Photography:
Jonathan Taylor
VFX Editor:
Mark Eggenweiler
Video Assist Operator:
Kevin Hawks
Visual Effects:
Manuel Rey Gonzalez
Alexander Pitt
Jeffrey A. Okun
Visual Effects Assistant Editor:
Robert Bayless
Joseph Boren
Visual Effects Camera:
Ciarán Copelin
Michael J. Walker
Visual Effects Compositor:
Janet Quen
Visual Effects Coordinator:
Eileen O'Connor
Estee Chandler
Visual Effects Designer:
Clark Schaffer
Visual Effects Producer:
Brian Jennings
Thomas Boland
Jack Wu
Visual Effects Production Assistant:
Robert Warwick
Visual Effects Production Manager:
Lorraine 'Deedle' Silver
Visual Effects Supervisor:
Mitchell S. Drain
Steven Robiner
Wardrobe Assistant:
Debbie Williams
Wardrobe Master:
Lou Decampo
Wardrobe Supervisor:
Delphine White
Wigmaker:
Victoria Wood
Khanh Trance
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.