A work in constant progress (and occasional regress).
Release Date:
January 12, 2024
Original Title:
À noite todos os gatos são pardos
Alternate Titles:
At night all the cats are brown
De noche todos los gatos son pardos
Genres:
Drama
Production Companies:
La Loba Filmes
Retrogosto Filmes
Ursana Filmes
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 17
The night of Belo Horizonte, Brazil, is a time capsule that relativizes the passage, blurs the senses, and recasts the definitions of future in the life of young Junior - who cannot wait to be emancipated from absolutely everything.
Art Department Assistant:
Charles Mascarenhas
Gabriel Mendes
Art Direction:
Estevam Neto
Assistant Camera:
João Paulo Freitas
Anna Mol
Assistant Director:
Samuel Fávero
Assistant Director Trainee:
Sofia Marinho
Boom Operator:
Lya Novaes
Antonio Pedroni
Camera Operator:
Yago Guedes
Emanuele Sales
Ibria Lopes
Casting Director:
Antonio Pedroni
Casting Producer:
Clara Vilas Boas
Catering:
Prazer da Esfiha
Cinematography:
Yago Guedes
Color Grading:
Nancy Angulo
Colorist:
Nancy Angulo
Costume Design:
Amanda Buzatti
Estevam Neto
Director:
Matheus Moura
Drone Pilot:
Joseph Neander
Editor:
Luiza Garcia
Executive Producer:
Antonio Pedroni
Clara Vilas Boas
Matheus Moura
Emanuele Sales
Ibria Lopes
Graphic Designer:
Alejandro Cañer
Local Casting:
Clara Vilas Boas
Makeup & Hair:
Yasmin Batista
Estevam Neto
Makeup Trainee:
Ju Campos
Producer:
Matheus Moura
Production Coordinator:
Samuel Vieira
Production Director:
Ibria Lopes
Sound Director:
Davi Cândido
Lya Novaes
Sound Editor:
Saulo Adrian
Nathalia Quimbay Cadena
Sound Mixer:
Saulo Adrian
Nathalia Quimbay Cadena
Writer:
Matheus Moura
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.