A work in constant progress (and occasional regress).
Camera Operator:
1952 Le Mans 1952
1964 The Gallant Musketeer
Cinematography:
1952 Le Mans 1952
1959 Houla-Houla
1962 The Longest Day
1964 The Gallant Musketeer
1966 Angelique and the King
Director of Photography:
1952 Le Mans 1952
1955 Samba Fantástico
1959 Houla-Houla
1962 Konga Yo
1962 The Longest Day
1964 Jeff Gordon, Secret Agent
1964 Let the Shooters Shoot
1964 License to Kill
1964 The Gallant Musketeer
1965 The Exterminators
1966 Angelique and the King
1966 Brigade Anti Gangs
1967 I Killed Rasputin
1968 The Sergeant
1969 Cemetery Without Crosses
1969 Viva Max!
1970 El Condor
1971 Macédoine
1971 The Legend of Frenchie King
Second Unit Cinematographer:
1952 Le Mans 1952
1955 Samba Fantástico
1959 Houla-Houla
1962 Konga Yo
1962 The Longest Day
1963 Charade
1964 Jeff Gordon, Secret Agent
1964 Let the Shooters Shoot
1964 License to Kill
1964 The Gallant Musketeer
1965 The Exterminators
1966 Angelique and the King
1966 Brigade Anti Gangs
1967 I Killed Rasputin
1968 The Sergeant
1969 Cemetery Without Crosses
1969 Viva Max!
1970 El Condor
1971 Macédoine
1971 The Legend of Frenchie King
Second Unit Director of Photography:
1952 Le Mans 1952
1955 Samba Fantástico
1959 Houla-Houla
1962 Konga Yo
1962 The Longest Day
1963 Charade
1964 Jeff Gordon, Secret Agent
1964 Let the Shooters Shoot
1964 License to Kill
1964 The Gallant Musketeer
1965 The Exterminators
1965 What's New Pussycat?
1966 Angelique and the King
1966 Brigade Anti Gangs
1967 I Killed Rasputin
1968 The Sergeant
1969 Cemetery Without Crosses
1969 Viva Max!
1970 El Condor
1971 Macédoine
1971 The Legend of Frenchie King
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.