The Longest Day (1962) [PG]

Release Date:
September 25, 1962

Original Title:
The Longest Day

Alternate Titles:
Der Längste Tag
El día más largo
El día más largo del siglo
Il giorno più lungo
Ilgiausia diena
Le Jour le Plus Long
Najdaljši dan
Najdlhsí den
Najduži dan
The D. Day
Η Μεγαλύτερη Ημέρα του Πολέμου
Η Πιο Μεγάλη Μέρα του Πολέμου
Најдужи дан
Самый длинный день
史上最大の作戦:1962
碧血長天

Genres:
Action | Drama | War

Production Companies:
20th Century Fox
Darryl F. Zanuck Productions

Production Countries:
United States of America

Ratings / Certifications:
BE: 16  BR: L|12  DE: 12  DK: 15  FR: 12  GB: PG  NL: 12  PT: M/12  US: PG 

Runtime: 178

The retelling of June 6, 1944, from the perspectives of the Germans, US, British, Canadians, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day"

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Additional Music:
Paul Anka

Additional Visual Effects:
David S. Horsley

Aerial Camera:
Guy Tabary

Art Direction:
Léon Barsacq
Ted Haworth
Vincent Korda

Assistant Director:
Jean Herman
Henry Sokal Jr.
Tom Pevsner
Bernard Farrel
Louis Pitzele
Gérard Renateau

Associate Producer:
Elmo Williams

Casting:
Maude Spector

Cinematography:
Henri Persin
Pierre Levent

Continuity:
Lucie Lichtig

Director:
Ken Annakin
Bernhard Wicki
Andrew Marton

Director of Photography:
Jean Bourgoin
Walter Wottitz

Driver:
Frank Khoury

Editor:
Samuel E. Beetley

Matte Painter:
Bob Cuff

Music Arranger:
Mitch Miller

Novel:
Cornelius Ryan

Original Music Composer:
Maurice Jarre

Producer:
Darryl F. Zanuck

Screenplay:
Cornelius Ryan

Script Consultant:
David Pursall
Jack Seddon
Erich Maria Remarque

Script Supervisor:
Romain Gary

Second Assistant Director:
Henry Wise

Second Unit Director:
Gerd Oswald
Elmo Williams

Set Designer:
Gabriel Béchir

Sound:
Jacques Maumont
William Robert Sivel
Joseph de Bretagne

Special Effects:
Karl Helmer
Paul Wurtzel
Gerald Endler
Augie Lohman
Fernando Pérez
Alex Weldon
Joseph de Bretagne
Karl Baumgartner
R.A. MacDonald
Jean Fouchet

Still Photographer:
Vincent Rossell

Stunts:
Jack Cooper
Yvan Chiffre
Gil Delamare
Joe Powell
Nosher Powell
John Sullivan
Ian Yule
Alexandre Renaud
Jean-Pierre Janic
Gérard Moisan
Ken Buckle
Lionel Vitrant

Technical Advisor:
Josef Priller
Lucie Maria Rommel
Günther Blumentritt
Helmuth Lang
Joseph B. Seay
E. C. Peake
Friedrich Ruge
A. J. Hillebrand
Fernand Prevost
Frederick Morgan
Jean Barral
James Gavin
Albert Saby
John Howard
Philippe Kieffer
The Earl of Lovat
Hubert Deschard
Max Pemsel
Werner Pluskat
Roger Bligh
James R. Johnson
Pierre Koenig
Willard L. Bushy

Visual Effects:
Wally Veevers
Jean Fouchet

Wardrobe Coordinator:
John McCorry

Writer:
Romain Gary
James Jones
David Pursall
Jack Seddon

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.