Karen Black (1939-2013)

Alias:
Karen Blanche Ziegler
カレン・ブラック

Birthplace:
Park Ridge, Illinois, USA

Born:
July 1, 1939

Died:
August 8, 2013

Karen Blanche Black (née Ziegler; July 1, 1939 – August 8, 2013) was an American actress, screenwriter, singer, and songwriter. She rose to prominence for her work in various studio and independent films in the 1970s, frequently portraying eccentric and offbeat characters, and established herself as a figure of New Hollywood. Her career spanned over 50 years and includes nearly 200 credits in both independent and mainstream films. Black received numerous accolades throughout her career, including two Golden Globe Awards, as well as an Academy Award nomination for Best Supporting Actress.  A native of suburban Chicago, Black studied theater at Northwestern University before dropping out and relocating to New York City. She performed on Broadway in 1965 before making her major film debut in Francis Ford Coppola's You're a Big Boy Now (1966). Black relocated to California and was cast as an acid-tripping prostitute in Dennis Hopper's road film Easy Rider (1969). That led to a lead in the drama Five Easy Pieces (1970), in which she played a hopeless beautician, for which she was nominated for an Academy Award and won a Golden Globe for Best Supporting Actress. Black made her first major commercial picture with the disaster film Airport 1975 (1974), and her subsequent appearance as Myrtle Wilson in The Great Gatsby (1974) won her a second Golden Globe for Best Supporting Actress.  Black starred as a glamorous country singer in Robert Altman's ensemble musical drama Nashville (1975), also writing and performing two songs for the soundtrack, which won a Grammy Award for Best Score Soundtrack. Her portrayal of an aspiring actress in John Schlesinger's drama The Day of the Locust (also 1975) earned her a third Golden Globe nomination, this time for Best Actress. She subsequently took on four roles in Dan Curtis' anthology horror film Trilogy of Terror (1975), followed by Curtis's supernatural horror feature, Burnt Offerings (1976). The same year, she starred as a con artist in Alfred Hitchcock's final film, Family Plot.  In 1982, Black starred as a trans woman in the Robert Altman-directed Broadway debut of Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean, a role she also reprised in Altman's subsequent film adaptation. She next starred in the comedy Can She Bake a Cherry Pie? (1983), followed by Tobe Hooper's remake of Invaders from Mars (1986). For much of the late 1980s and 1990s, Black starred in a variety of arthouse, independent, and horror films, as well as writing her own screenplays. She had a leading role as a villainous mother in Rob Zombie's House of 1000 Corpses (2003), which cemented her status as a cult horror icon. She continued to star in low-profile films throughout the early 2000s, as well as working as a playwright before her death from ampullary cancer in 2013.  Description above from the Wikipedia article Karen Black, licensed under CC-BY-SA, full list of contributors on Wikipedia. ​

Additional information:

The Search Form


Music:
1975  Nashville

Producer:
1975  Nashville
1998  Charades

Screenplay:
1975  Nashville
1997  Men
1998  Charades
2000  The Invention of Dr. Morel

Writer:
1975  Nashville
1997  Men
1998  Charades
2000  The Invention of Dr. Morel

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.