A work in constant progress (and occasional regress).
Release Date:
January 10, 2002
Original Title:
Teknolust
Alternate Titles:
Desejos Virtuais
Les trois Eve
Tekno aşk
Tekno-pothos
Genres:
Comedy | Drama | Romance | Science Fiction
Production Companies:
Blue Turtle
Epiphany Productions
Hotwire Productions
ZDF
Production Countries:
Germany | United Kingdom | United States of America
Ratings / Certifications:
US: R
Runtime: 83
Anxious to use artificial life to improve the world, Rosetta Stone, a bio-geneticist creates a Recipe for Cyborgs and uses her own DNA in order to breed three Self Replicating Automatons, part human, part computer named Ruby, Olive and Marine.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"B" Camera Operator:
Hrafnhildur Gunnarsdóttir
Additional Music:
Ramin Djawadi
Art Department Coordinator:
Melanie Tomlin
Art Direction:
Michael E. Goldman
Art Direction Intern:
Gaye Niver
Ludivine Vanrenterghem
Assistant Editor:
Jeremy Parr
Assistant Makeup Artist:
Greg Moncure
Associate Producer:
Megan Carlson
Clark McCutchen
Stacey Robinson
Attorney:
Jeffrey Brandstetter
Clark McCutchen
Best Boy Electric:
Peter Burgess Smith
Best Boy Grip:
Todd Stoneman
Boom Operator:
Etina Hom
Camera Operator:
Andrew D. Stadler
Carpenter:
Neal Halter
Casting:
Nancy Hayes
Choreographer:
Charles Moulton
Co-Producer:
Paul Barnett
Commissioning Editor:
Claudia Tronnier
Construction Coordinator:
David Goodno
Construction Foreman:
Tim Wilson
Costume Design:
Marianna Åström-De Fina
Yohji Yamamoto
Costume Supervisor:
Deirdre Scully
Craft Service:
Jeff DiPaolo
Dialogue Coach:
Julie Adams
Director:
Lynn Hershman-Leeson
Director of Photography:
Hiro Narita
Dolly Grip:
Paciano Triunfo
Driver:
Clark Dolan
Terri Fredlund
Ed Jones
Harlan Mack
Reed Phillips
Nathan Serratore
Editor:
Lisa Fruchtman
Electrician:
Todd Hickey
Edwin Schenderlein
Jonathan 'Sketch' White
Executive Producer:
Amy Sommer
Extras Casting:
Violet Banks
First Assistant "A" Camera:
Andrew D. Stadler
First Assistant "B" Camera:
Alex Lorge
Nathaniel Miller
First Assistant Director:
Jonathan Heuer
Gaffer:
Arthur Aravena
Graphic Designer:
Matt Lamide
Lou Zadesky
Grip:
Andrew Eckmann
Key Grip:
John Schweitzer
Key Hair Stylist:
Marine Menitt
Key Makeup Artist:
Tonya Crooks
Key Set Production Assistant:
Hilary Goldstein
Leadman:
Joe Schlick
Line Producer:
Debbie Brubaker
Location Manager:
Ynze Bijl
Music Editor:
Richie Nieto
Original Music Composer:
Mark Tschanz
Klaus Badelt
Producer:
Oscar Gubernati
Lynn Hershman-Leeson
John Bradford King
Youssef Vahabzadeh
Producer's Assistant:
Alexandra Guerineaud
Production Accountant:
Joyce Quan
Production Assistant:
Fabio Blancarte
Larry Cook
John 'JD' Dumitru
Adam M. Dunne-De'Coligny
Rita Frumkin
Lenna Gozurian
Holger Haussermann
Denis 'Jay' Jensen
Sara MacPherson
Stephanie Olliffe
C.J. Roessler
Paula Woodsbowne
Production Design:
Chris Farmer
Property Master:
Dan Korn
Props:
Terrance Graven
Scenic Artist:
Matt Clymer
Michelle Planessi
Screenplay:
Lynn Hershman-Leeson
Script Supervisor:
Andrea Devaux
Second Assistant Camera:
Andrea Miraglia
Bernadette Ryan
Second Assistant Director:
Gino Caputi
Paul Muldrow
Second Second Assistant Director:
Petra Janopaul
Set Decoration:
Kris Boxell
Set Dresser:
Eric Mathis
Scott Scharenbroich
Set Medic:
Bundy Chanock
Sound:
Mark Pittmann
Sound Mixer:
Bob Gitzen
Special Effects Supervisor:
Megan Carlson
Stand In:
Tiffany Waxter
Still Photographer:
Mark Garrett
Storyboard Artist:
Alex Mizuno
Transportation Captain:
D.B. Wilson
Transportation Coordinator:
Glenn Mack
Travel Coordinator:
Bundy Chanock
Unit Production Manager:
Christopher James Hall
Visual Effects Producer:
Megan Carlson
Vocals:
Ma Betts
Katy Stephan
Wardrobe Assistant:
Johanna Grayson
Natalija Vekic
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.