Joe Alves (b. 1936)

Alias:
Joseph Alves Jr.

Birthplace:
San Leandro, California, USA

Born:
May 21, 1936

Joe Alves (born 21 May 1936, San Leandro, California) is an American film production designer, perhaps best known for his work on three of the Jaws films. He directed Jaws 3-D.  Alves has designed three features for Steven Spielberg, firstly for The Sugarland Express. He designed the three mechanical sharks for the movie Jaws (1975) with mechanical effects man Bob Mattey supervising their physical construction in Sun Valley CA. After the sharks were completed, they were trucked to the shooting location, but unfortunately they had not been tested in water causing a series of delays that have become quite legendary over time.  He was nominated for the Academy Award and won the BAFTA for Best Art Direction for his work on Close Encounters of the Third Kind.  Alves worked on Jaws 2 (1978) in the capacity of both production designer and as second unit director. After John D. Hancock, the initial director of Jaws 2, was sacked, it was suggested that Alves co-direct it with Verna Fields (who edited the original Jaws). Jeannot Szwarc was hired, however, to complete the film.  The model of New York he created for John Carpenter's Escape from New York (1981) has been described as "memorably derelict", and he was visual consultant on Carpenter's Starman (1984).

Additional information:

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Art Direction:
1969  Winning
1970  The Young Country
1971  Sarge: The Badge or the Cross
1973  Double Indemnity
1973  Isn't It Shocking?
1973  Scream, Pretty Peggy
1973  See the Man Run
1974  The Sugarland Express

Assistant Art Director:
1969  Change of Habit
1969  Winning
1970  The Young Country
1971  Sarge: The Badge or the Cross
1973  Double Indemnity
1973  Isn't It Shocking?
1973  Scream, Pretty Peggy
1973  See the Man Run
1974  The Sugarland Express

Director:
1969  Change of Habit
1969  Winning
1970  The Young Country
1971  Sarge: The Badge or the Cross
1973  Double Indemnity
1973  Isn't It Shocking?
1973  Scream, Pretty Peggy
1973  See the Man Run
1974  The Sugarland Express
1983  Jaws 3-D

Production Design:
1969  Change of Habit
1969  Winning
1970  The Young Country
1971  Sarge: The Badge or the Cross
1973  Double Indemnity
1973  Isn't It Shocking?
1973  Scream, Pretty Peggy
1973  See the Man Run
1974  The Sugarland Express
1975  Jaws
1976  Embryo
1977  Close Encounters of the Third Kind
1978  Jaws 2
1981  Escape from New York
1983  Jaws 3-D
1988  Everybody's All-American
1993  Geronimo: An American Legend
1994  Drop Zone
1997  Fire Down Below
1997  Shadow Conspiracy
2000  Sinbad: Beyond the Veil of Mists

Second Unit Director:
1969  Change of Habit
1969  Winning
1970  The Young Country
1971  Sarge: The Badge or the Cross
1973  Double Indemnity
1973  Isn't It Shocking?
1973  Scream, Pretty Peggy
1973  See the Man Run
1974  The Sugarland Express
1975  Jaws
1976  Embryo
1977  Close Encounters of the Third Kind
1978  Jaws 2
1981  Escape from New York
1983  Jaws 3-D
1984  Starman
1988  Everybody's All-American
1993  Geronimo: An American Legend
1994  Drop Zone
1997  Fire Down Below
1997  Shadow Conspiracy
2000  Sinbad: Beyond the Veil of Mists

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.