A work in constant progress (and occasional regress).
Release Date:
December 14, 1977
Original Title:
Close Encounters of the Third Kind
Alternate Titles:
CE3K
Close Encounters of the Third Kind (Director's Cut)
Close Encounters of the Third Kind (Special Edition)
Director's Cut: Close Encounters of the Third Kind
Encuentros cercanos del tercer tipo
Encuentros en la tercera fase
Incontri ravvicinati del terzo tipo
Rencontre du 3e type
Rencontre du 3e type (HDR)
Rencontres du troisieme type
The Close Encounter of the Third Kind
The Special Edition: Close Encounters of the Third Kind
Watch the Skies
Близькі контакти третього виду
Близькі контакти третього роду
미지와의 조우
Genres:
Drama | Science Fiction
Production Companies:
Columbia Pictures
EMI Films
Julia Phillips and Michael Phillips Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: L CA: PG DE: 12 DK: 15 ES: APTA FR: U GB: PG GR: PG HU: 12 IE: PG IT: T KR: ALL NL: 9 PL: 16 PT: M/12 RO: 15 SE: 11 US: PG
Runtime: 135
After an encounter with UFOs, an electricity linesman feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.
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1998 #64 |
100 Years: 100 MOVIES
100 Greatest American Movies Of All Time |
2001 #31 |
100 Years: 100 THRILLS
100 Most Thrilling American Films |
2006 #58 |
100 Years: 100 CHEERS
100 Most Inspiring Films Of All Time |
Additional Director of Photography:
John A. Alonzo
László Kovács
Animation:
Harry Moreau
Animation Supervisor:
Robert Swarthe
Art Direction:
Daniel A. Lomino
Assistant Director:
Charles Myers
Camera Operator:
Nick McLean
Casting:
Shari Rhodes
Juliet Taylor
Construction Manager:
Bill Parks
Director:
Steven Spielberg
Director of Photography:
Vilmos Zsigmond
Editor:
Michael Kahn
Gaffer:
Earl Gilbert
Hairdresser:
Edie Panda
Location Manager:
Joe O'Har
Makeup Supervisor:
Bob Westmoreland
Music Editor:
Kenneth Wannberg
Original Music Composer:
John Williams
Producer:
Julia Phillips
Michael Phillips
Clark L. Paylow
Production Accountant:
Peggy Rosson
Production Assistant:
Carol Bidault de L'Isle
Production Consultant:
J. Allen Hynek
Production Design:
Joe Alves
Production Illustrator:
George Jenson
Production Secretary:
Joyce Goldberg
Gail Siemers
Property Master:
Sam Gordon
Publicist:
Al Ebner
Murray Weissman
Script Supervisor:
Charlsie Bryant
Second Assistant Director:
Jim Bloom
Second Unit Director of Photography:
Steven Poster
Set Decoration:
Phil Abramson
Sound:
Richard Oswald
Sound Re-Recording Mixer:
Don MacDougall
Robert Knudson
Sound Supervisor:
Stephen Katz
Still Photographer:
Jim Coe
Peter Sorel
Pete Turner
Stunt Coordinator:
Buddy Joe Hooker
Stunt Driver:
Henry Kingi
Craig R. Baxley
Jerry Brutsche
Stunts:
Denny Arnold
Bobby Bass
Jeannie Epper
Melvin Jones
Stephen Powers
Supervising Dialogue Editor:
Jack Schrader
Supervising Sound Effects Editor:
Frank E. Warner
Title Designer:
Dan Perri
Utility Stunts:
Monty Jordan
VFX Director of Photography:
Richard Yuricich
Visual Effects:
Carlo Rambaldi
Visual Effects Director:
Douglas Trumbull
Writer:
Hal Barwood
John Hill
Steven Spielberg
Jerry Belson
Matthew Robbins
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.