Johnny Whitworth (b. 1975)

Birthplace:
Charleston, South Carolina, USA

Born:
October 31, 1975

From Wikipedia, the free encyclopedia.  Johnny Whitworth (born October 31, 1975) is an American actor.  His early years were spent in his birth place of Charleston, South Carolina, with his mother. When he grew older, he moved to Dallas, Texas with his father (his parents are divorced). At age 15/16 in 1991, he won the 1st Young and Modern Man Contest. Shortly after, he moved to Los Angeles with his mother and at the age of 18 started his acting career with a guest appearance on Party of Five in 1994. His debut in movies was with Bye Bye Love in 1995. That same year, he played A.J. in the film Empire Records. The movie became a cult classic.  He quit acting after his first few movies, but then made a comeback in 1997s The Rainmaker. He currently has a recurring role on the CBS crime drama CSI: Miami, where he plays bad-boy Detective Jake Berkeley, a love interest of Calleigh Duquesne. The storyline is swiftly making Whitworth's character a controversial one, as his competition for Calleigh is long-time CSI agent Eric Delko. Since the end of Season 5 and throughout Season 6, Jake was no longer an ATF agent but a Miami-Dade homicide detective working with the CSIs. Season 7 sees Whitworth return in the first episode, with a promise of more to come.  In 2007, he appeared in the film 3:10 to Yuma, starring Christian Bale and Russell Crowe, and in 2009, co-starred in Gamer with Gerard Butler.  He appeared in the films Locked in, Valley of the Sun, and Neil Burger's Limitless. He also will be playing the villain Blackout in the 2012 sequel and reboot Ghost Rider: Spirit of Vengeance.  Description above from the Wikipedia article Johnny Whitworth, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.