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Limitless (2011) [PG-13]

Release Date:
March 17, 2011

Original Title:
Limitless

Alternate Titles:
Ohne Limit - Die Droge für Reichtum und Macht
The Dark Fields
Без меж
Областi темряви
逆天潛能
리미트리스

Genres:
Mystery | Science Fiction | Thriller

Production Companies:
Boy of the Year
Mandate International
Many Rivers Productions
Relativity Media
Rogue Pictures
Virgin Produced

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BR: 14  DE: 16  DK: 15  ES: 12  FR: U  GB: 15  GR: 16  HU: 16  IE: 15A  IT: T  KR: 15  LT: N-16  NL: 16  NZ: M  PL: 12  PT: M/12  TW: 12+  UA: 12+  US: PG-13 

Runtime: 105

Everything is possible when you open your mind.

Overview from TheMovieDB

A paranoia-fueled action thriller about an unsuccessful writer whose life is transformed by a top-secret "smart drug" that allows him to use 100% of his brain and become a perfect version of himself. His enhanced abilities soon attract shadowy forces that threaten his new life in this darkly comic and provocative film.

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Performers

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Production

"A" Camera Operator:
David J. Thompson

"B" Camera Operator:
Kent Harvey

ADR Editor:
Cate Montana

Art Department Coordinator:
April Hodick

Art Department Production Assistant:
Arizona Newsum

Assistant Art Director:
Rumiko Ishii
Marion Kolsby

Assistant Costume Designer:
Havi Elkaim

Boom Operator:
Kira Smith

Camera Loader:
Anthony DeFrancesco

Casting:
Douglas Aibel

Co-Producer:
Ken Halsband

Costume Design:
Jenny Gering

Costume Supervisor:
Arlynn Abseck

Dialogue Editor:
Jac Rubenstein

Director:
Neil Burger

Director of Photography:
Jo Willems

Editor:
Tracy Adams
Naomi Geraghty

Executive In Charge Of Production:
Jason Barhydt
Adam Fields

Executive Producer:
Bradley Cooper
Jason Felts
Tucker Tooley

First Assistant "A" Camera:
Glenn Kaplan

First Assistant "B" Camera:
Michael Leonard

First Assistant Director:
H.H. Cooper

First Assistant Editor:
Blake Harjes
Arturo Sosa

Foley Mixer:
George A. Lara

Gaffer:
Jay Fortune

Graphic Designer:
R. Scott Purcell

Hair Department Head:
Diane Dixon
Sacha Quarles

Key Grip:
Lamont Crawford

Line Producer:
Patty Long

Location Manager:
Staci Hagenbaugh

Makeup Department Head:
Margot Boccia
Joseph A. Campayno

Music Supervisor:
Happy Walters
Season Kent

Novel:
Alan Glynn

Original Music Composer:
Paul Leonard-Morgan

Post Production Supervisor:
Christopher Kulikowski

Producer:
Leslie Dixon
Ryan Kavanaugh
Scott Kroopf

Production Assistant:
Weston Middleton

Production Design:
Patrizia von Brandenstein

Production Sound Mixer:
Danny Michael

Property Master:
Peter Gelfman

Screenplay:
Leslie Dixon

Script Supervisor:
Mary Bailey

Second Assistant "A" Camera:
Julian J. Delacruz

Second Assistant "B" Camera:
Leon Sanginiti

Second Assistant Director:
Dale M. Nielsen

Second Second Assistant Director:
Brad Robinson

Second Unit Director:
Garrett Warren

Second Unit Director of Photography:
Richard Rutkowski

Senior Visual Effects Supervisor:
Nancy St. John

Set Decoration:
Diane Lederman

Sound Designer:
Paul Urmson

Sound Effects Editor:
Lewis Goldstein
Wyatt Sprague

Sound Re-Recording Mixer:
Lewis Goldstein
Tony Volante

Special Effects Coordinator:
Connie Brink

Steadicam Operator:
David J. Thompson

Still Photographer:
John Baer

Stunt Double:
Shawnna Thibodeau

Stunts:
Caroline Vexler
Chris Cenatiempo
Jill Brown
Naomi Peters
Aaron Vexler
Peter Epstein
Blaise Corrigan

Supervising Sound Editor:
Lewis Goldstein
Paul Urmson

Unit Production Manager:
Mark Kamine
Patty Long

Visual Effects Supervisor:
Dan Schrecker

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.