A work in constant progress (and occasional regress).
Alias:
Eric Caravaca
Birthplace:
Rennes, Ille-et-Vilaine, France
Born:
November 21, 1966
Éric Caravaca (born 21 November 1966) is a French actor, film director and screenwriter. The son of an engineer, Caravaca (of Spanish origin) studied literature while taking acting lessons. After obtaining his degree, he left for Paris, where he joined l'École nationale supérieure d'arts et techniques du théâtre, and completed his formation at the Conservatoire national supérieur d'art dramatique. He then went to New York City in 1993, where he studied at the Actors Studio for a year. Upon his return to France, he began his career in theatre and gained attention in Samuel Beckett's Waiting for Godot. He made his film debut in 1996, in Un samedi sur la terre by Diane Bertrand. He played mostly small roles until C'est quoi la vie?, directed by François Dupeyron in 1999, which earned him the César Award for Most Promising Actor. He worked again with Dupeyron in La chambre des officiers in 2001, and appeared as Luc in Patrice Chéreau's film Son frère in 2003, opposite Bruno Todeschini. He directed his first film The Passenger in 2005, in which he also played a role (Thomas), opposite Julie Depardieu, which was presented at the Venice Film Festival. (Wikipedia)
Director:
2005 The Passenger
2017 Plot 35
Writer:
2005 The Passenger
2015 Nine Days in Winter
2017 Plot 35
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.