A work in constant progress (and occasional regress).
Release Date:
August 28, 1996
Original Title:
Un samedi sur la terre
Alternate Titles:
En lørdag på jobben
Szombaton történt
Genres:
Comedy | Drama
Production Companies:
CNC
Canal+
Cofimage 7
Fondation GAN pour le Cinéma
Ima Films
La Sept Cinéma
Lumière
MP Productions
Studio Images 2
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 95
A series of seemingly unconnected events and 50 important speaking parts make this film a jigsaw puzzle to be solved by the viewer. Martin and Claire were separated in childhood, and are brought together by a series of coincidences. A tragic car crash is central to the story, but seemingly unimportant events can hold great significance. Through a montage of different film stock and techniques director Diane Bertrand creates pieces of a puzzle, from which the viewer has to piece together a story. That's the premise of the film, and it is solvable. You just have to work a bit...
Assistant Director:
Agnès Petit
Pierre Sénélas
Assistant Editor:
Valérie Pasteau
Boom Operator:
Laurent Zeilig
Casting:
Frédérique Moidon
Marie-France Michel
Costume Design:
Madeline Fontaine
Director:
Diane Bertrand
Director of Photography:
Michel Amathieu
Editor:
Maryline Monthieux
Electrician:
Victor Abadia
Executive Producer:
Véronique Rofé
Elisabeth Deviosse
Foley:
Mario Melchiorri
Jean-Pierre Lelong
Grip:
Pierre-Yves Le Mée
Makeup Artist:
Sylvie Aid
Original Music Composer:
Pascal Comelade
Producer:
Georges Benayoun
Michel Propper
Production Design:
Philippe Chiffre
Production Manager:
Charles Tible
Script Supervisor:
Brigitte Schmouker
Sound:
Pierre Excoffier
Sound mixer:
Thierry Lebon
Vincent Arnardi
Still Photographer:
Jean-Claude Lother
Story:
Diane Bertrand
Stunts:
Michel Norman
Daniel Vérité
Visual Effects Producer:
Antoine Simkine
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.