Jacki Weaver (b. 1947)

Alias:
재키 위버

Birthplace:
Sydney, New South Wales, Australia

Born:
May 25, 1947

Jacqueline Ruth Weaver AO (born 25 May 1947) is an Australian actress. Weaver emerged in the 1970s as a symbol of the Australian New Wave through her work in Ozploitation films such as Stork (1971), Alvin Purple (1973), and Petersen (1974). She later she starred in Picnic at Hanging Rock (1975), Caddie (1976), Squizzy Taylor (1982), and well as number of made-for-television movies, miniseries, and Australian productions of some of the most revered plays including Death of a Salesman and Streetcar Named Desire.  In 2010, Weaver has garnered critical acclaim and Academy Award for Best Supporting Actress nomination and won National Board of Review Award for Best Supporting Actress for her performance as the matriarch of a criminal family in the crime film Animal Kingdom. She received another Academy Award for Best Supporting Actress nomination for performance in the romantic comedy-drama film Silver Linings Playbook (2012). The following years, Weaver appeared in films The Five-Year Engagement (2012), Parkland (2013), Magic in the Moonlight (2014), The Disaster Artist (2017), Bird Box (2018), Widows (2018), Poms (2019), Stage Mother (2020), and Father Stu (2022).  On television, Weaver starred in the Starz comedy series, Blunt Talk (2015–2016), Fox Showcase political thriller Secret City (2016–19), Stan science fiction series Bloom (2019–20) and Epix thriller Perpetual Grace, LTD (2019). In 2021, she began appearing in the recurring role as Caroline Warner in the Paramount Network neo-Western series, Yellowstone.  Description above from the Wikipedia article Jacki Weaver, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.