A work in constant progress (and occasional regress).
Release Date:
April 13, 2022
Original Title:
Father Stu
Alternate Titles:
El milagro del Padre Stu
Father Stu: Reborn
Ojciec Stu
Otac Stu
Père Stu
Отець Стю
پدر روحانی استو
ファーザー・スチュー 闘い続けた男
硬漢神父
파더 스튜
Genres:
Drama
Production Companies:
Municipal Pictures
Palm Drive Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 12 DE: 12 ES: 12 GB: 15 GR: K15 HU: 18 IE: 18 JP: PG12 PL: 18 PR: PG-13 RO: 15 RU: 16+ US: R|PG-13
Runtime: 124
The true-life story of boxer-turned-priest. When an injury ends his amateur boxing career, Stuart Long moves to Los Angeles to find money and fame. While scraping by as a supermarket clerk, he meets Carmen, a Sunday school teacher who seems immune to his bad-boy charm. Determined to win her over, the longtime agnostic starts going to church to impress her. However, a motorcycle accident leaves him wondering if he can use his second chance to help others, leading to the surprising realization that he's meant to be a Catholic priest.
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Art Direction:
Erika Totham
Costume Design:
Lisa Norcia
Costumer:
James David Leal
Director:
Rosalind Ross
Director of Photography:
Jacques Jouffret
Editor:
Jeffrey M. Werner
Executive Producer:
Miky Lee
Colleen Camp
Rosalind Ross
Tony Grazia
Patrick Peach
In Memory Of:
Alma Wahlberg
Makeup Artist:
Adam Brandy
Monica Caldera
Claudia Humburg
Corinna Woodcock
Original Music Composer:
Dickon Hinchliffe
Producer:
Jordan Foss
Mark Wahlberg
Stephen Levinson
Production Design:
David Meyer
Prosthetics:
Gary Archer
Screenplay:
Rosalind Ross
Second Assistant Director:
Phil DeSanti
Set Decoration:
Lisa Son
Set Decoration Buyer:
Kyle Davio
Set Designer:
Judy Cosgrove
Set Dresser:
Mitchell Walters
Sound Effects Editor:
Eric Offin
Jacob Flack
Zach Goheen
Sound Re-Recording Mixer:
Craig Mann
Sound Recordist:
Tim Gomillion
Studio Teacher:
Daniel Benjamin
Supervising Sound Editor:
Bobbi Banks
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.