Craig March

Birthplace:
Canada

Craig approaches the craft with great respect and a sense of play that focuses on bringing the most truthful story forward from those that he works with. With a BA from Brock University concentrating on Theatre and Drama in Education, and over twenty years of on-set experience equating to well over a hundred roles, Craig has extensive experience to offer.  Proud Coaching highlights include; The inaugural Showcase Program at SchoolCreative, Producing and Directing a 2nd Year Main Stage production at New Image College, Co-Teaching the Theatre component at Ailanthus, and serving as a Volunteer Mentor for the Fulfilling Young Artist’s Program.  Favourite credits include; Recurring roles for the Aurora Teagarden Movie Mystery Series for Hallmark and DirectTV’s, Rogue, appearances in Project Blue Book, Arrow, The X-Files, and in the feature films, Noelle, I-Robot, Along Came a Spider, and the indie-gems, The Hollow Child, Sunflower Hour, and The Rhino Brothers. Lead roles for stage include the highly acclaimed productions of A Streetcar Named Desire, at The Chemainus Theatre Festival, Homechild at The Belfry Theatre, as well as the Jessie nominated productions of Julius Caesar for Mad Duck Collective and Omniscience, for Western Theatre Conspiracy.  His directorial debut, The Beast of Bottomless Lake was honoured as Best Feature at MIFF, People’s Choice at OIFF, received a theatrical run and was broadcast on SuperChannel.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.