A work in constant progress (and occasional regress).
Release Date:
October 27, 2005
Original Title:
The Big White
Alternate Titles:
Auch Morden will gelernt sein
Genres:
Comedy | Crime | Drama
Production Companies:
Ascendant Pictures
Capitol Films
Film & Entertainment VIP Medienfonds 2 GmbH & Co. KG
Rising Star Productions
Production Countries:
Canada | Germany | New Zealand | United States of America
Ratings / Certifications:
DE: 12 GB: 15 KR: 15 NL: 12 PT: M/12
Runtime: 100
To remedy his financial problems, a travel agent has his eye on a frozen corpse, which just happens to be sought after by two hitmen.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"B" Camera Operator:
Michael Marshall
ADR Supervisor:
Chris Jargo
Aerial Director of Photography:
Ronald Hersey
Art Department Coordinator:
Will Antoniuk
Art Direction:
Julian Ashby
Réjean Labrie
Assistant Editor:
Richard B. Molina
Assistant Property Master:
Ryan Berzuk
Assistant Sound Editor:
Tony Negrete
Philip D. Morrill
Boom Operator:
Louis Piché
Stan Mak
Camera Operator:
Douglas Craik
Casting:
Deborah Aquila
Tricia Wood
Co-Executive Producer:
Sharon Harel-Cohen
Co-Producer:
Elaine Dysinger
Construction Coordinator:
Olaf Dux
Costume Design:
Darena Snowe
Digital Intermediate Producer:
April McMorris
Director:
Mark Mylod
Director of Photography:
James Glennon
Editor:
Julie Monroe
Executive Producer:
Andreas Grosch
Kia Jam
John Schimmel
Hannah Leader
Michael Birnbaum
Andreas Schmid
Jane Barclay
First Assistant "B" Camera:
Len Peterson
First Assistant Camera:
Mark Cohen
First Assistant Director:
Richard O'Brien-Moran
First Assistant Hairstylist:
Pina Robinson
First Assistant Makeup Artist:
Jennifer Machnee
Foley Artist:
Christopher Moriana
Jeffrey Wilhoit
James Moriana
Catherine Harper
Foley Mixer:
Nerses Gezalyan
Foley Supervisor:
Craig S. Jaeger
Head Carpenter:
Bill Sinosich
Key Hair Stylist:
Sanna Seppanen
Key Makeup Artist:
Doug Morrow
Makeup Artist:
Cheri Minns
Katherine James
Music Editor:
Charles Martin Inouye
Negative Cutter:
Rick Downey
Original Music Composer:
Mark Mothersbaugh
Payroll Accountant:
Paul Courchaine
Post Production Supervisor:
Nancy Kirhoffer
Producer:
Christopher Eberts
Christopher Roberts
David Faigenblum
Katie Kempe-Smith
Production Coordinator:
Janet Gayford
Production Design:
Jon Billington
Production Manager:
Lesley Oswald
Property Master:
Larry Spittle
Script Supervisor:
Alanna Mills
Second Assistant "B" Camera:
Daniel Quesnel
Second Assistant Camera:
Álex Martínez
Set Decoration:
Stephen Arndt
Wendy Harke
Set Dresser:
Lindsey Bart
Mecca Thornhill
Remi Verfaillie
Owen Bird
Sound Effects Editor:
Christopher Assells
Dan Hegeman
Sound Mixer:
Louis Marion
Sound Re-Recording Mixer:
Brad Sherman
Jon Taylor
Still Photographer:
Chris Helcermanas-Benge
Stunt Coordinator:
Rick Skene
Stunts:
Rick Skene
Supervising Sound Editor:
Karen Baker Landers
Transportation Coordinator:
John Mysyk
Unit Publicist:
Michael Umble
Writer:
Collin Friesen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.