Denson Baker

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Denson Baker is an award winning cinematographer of international feature films, music videos, documentaries and commercials. His recent credits include the feature film OPHELIA starring Daisy Ridley & Naomi Watts, MEASURE OF A MAN with Donald Sutherland, Judy Greer and Luke Wilson, the Working Title/BBC2 series THE LUMINARIES with Eva Green and Eve Hewson, SKY TV series DOMINA with Kasia Smutniak and Isabella Rossellini, UK TV series VICTORIA series II and he was the DP of the reshoots the Academy Award winning GET OUT which included the tone setting opening scene.  He has shot feature films and documentaries that have won awards and screened in most major international film festivals including Sundance, Cannes, Toronto, Venice, Tribecca, Clermont-Ferrand, Berlin, LA, among others. In 2005 Denson was accredited by the Australian Cinematographers Society allowing him the honour of having the letters ACS after his name. In 2015 he was accredited the New Zealand Cinematographers Society adding the honour of the letters NZCS.

Additional information:

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"A" Camera Operator:
2005  Deck Dogz
2008  The Black Balloon

Additional Director of Photography:
2005  Deck Dogz
2008  The Black Balloon
2024  Scoop

Associate Producer:
2005  Deck Dogz
2008  The Black Balloon
2010  The Waiting City
2024  Scoop

Camera Operator:
2001  Smash Cuts! Super Sci-Fi Shorts Fest
2005  Deck Dogz
2008  The Black Balloon
2010  The Waiting City
2020  Tommy Emmanuel: The Endless Road
2024  Scoop

Cinematography:
2001  Smash Cuts! Super Sci-Fi Shorts Fest
2005  Deck Dogz
2008  The Black Balloon
2010  The Waiting City
2012  Lambs
2020  Tommy Emmanuel: The Endless Road
2021  The Colour Room
2024  Scoop

Director of Photography:
2001  Smash Cuts! Super Sci-Fi Shorts Fest
2004  We Have Decided Not to Die
2005  Benny: Unseen Hero
2005  Deck Dogz
2007  Skin
2008  The Black Balloon
2010  Oranges and Sunshine
2010  The Waiting City
2012  Lambs
2013  The Turning
2014  The Dark Horse
2016  MESSiAH
2017  Get Out
2018  Measure of a Man
2019  Ophelia
2020  2067
2020  Tommy Emmanuel: The Endless Road
2021  Chasing Wonders
2021  The Colour Room
2024  Mountain Boy
2024  Scoop
????  The Narrows
????  The Personal History of Rachel DuPree
????  The Temptation Of Gracie

Director of Photography:
2016  Victoria
2020  The Luminaries
2021  Grace

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.