A work in constant progress (and occasional regress).
Release Date:
October 1, 2020
Original Title:
2067
Alternate Titles:
2067
Chronical: 2067
Subject 14
Genres:
Science Fiction | Thriller
Production Companies:
Arcadia
Elevate Production Finance
Futurism Studios
KOJO Entertainment
Rocketboy
Production Countries:
Australia
Ratings / Certifications:
BR: 16 DE: 16 ES: 16 GB: 15 KR: 12 NL: 16 RU: 16+ US: NR
Runtime: 114
A lowly utility worker is called to the future by a mysterious radio signal, he must leave his dying wife to embark on a journey that will force him to face his deepest fears in an attempt to change the fabric of reality and save humankind from its greatest environmental crisis yet.
Additional Dialogue:
Gareth Davies
Additional First Assistant Camera:
Jules Wurm
Additional Second Assistant Camera:
Bonnie Paku
Additional Writing:
Dave Paterson
Armorer:
Mark Hollowell
Art Direction:
Gareth Wilkes
Assistant Sound Editor:
Michael Ackroyd
Associate Producer:
Jacinta Leong
Best Boy Electric:
Django Nou
Best Boy Grip:
Matan Tatarko
Boom Operator:
Nick Steele
CG Artist:
Nicole Ashford
Raph Atkins
Mark Chataway
Jim Dodd
Stefan Litterini
Sam Loxton
Mahdi Manar
Carpenter:
Nick Moore
Michael Kumnick
Alex Heath
Eddie Hopton
Michael Bawden
Casting:
Kelly Valentine Hendry
Casting Director:
Marianne Jade
Colorist:
Ben Eagleton
Compositing Lead:
Richard Hall
Joe Stenning
Caleb Thompson
Compositor:
Dustin Cumming
Viacheslav Degtar
Serhiy Protsenko
Serhiy Shirmanov
Concept Artist:
Jonah Booth-Remmers
Matt Hatton
Dane Hallett
Brian Carlin
Conceptual Design:
Jeremy Love
Construction Manager:
Scott Ashenden
Costume Assistant:
Lauren Brice
Costume Design:
Oriana Merullo
Costume Supervisor:
Paul Warren
Costumer:
Sally Blenkinsop
Creative Director:
Benjamin Bode
Data Wrangler:
Mik Gojic
Dialogue Editor:
Derryn Pasquill
Angus Robertson
Digital Compositor:
Dean Richichi
Director:
Seth Larney
Director of Photography:
Denson Baker
Draughtsman:
Charles Whittington
Enzo Ferraro
Drone Pilot:
Caleb Thomas
Editor:
Sean Lahiff
Epk Director:
Matt Byrne
Epk Producer:
Bec Janek
Executive Producer:
Michael Rymer
Alexandra Burke
Martin Gallery
Bryce Menzies
First Assistant Camera:
Bryn White
First Assistant Director:
Rick Beecroft
First Assistant Editor:
Veronica Buhagiar
Foley Mixer:
Lisa Simpson
Foley Recordist:
John Simpson
Gaffer:
Storm Ashwood
Glenn Jones
Key Grip:
Matt Richardson
Logan Collier
Key Hair Stylist:
Karen Gower
Key Makeup Artist:
Karen Gower
Location Manager:
Stephen L. Jones
Main Title Designer:
Glenn Stewart
Makeup & Hair:
Bec Triosi
Music:
Kirsten Axelholm
Kenneth Lampl
Online Editor:
James Cowie
Producer:
Lisa Shaunessy
Kate Croser
Jason Taylor
Production Accountant:
Antonetta Russo
Production Coordinator:
Lisa Iona
Production Design:
Jacinta Leong
Production Manager:
Carly Maple
Production Secretary:
Bec Janek
Prop Maker:
Matteo Medos
Marshall Tearle
Property Master:
Kaiit Mosby
Scenic Artist:
Michael Wolff
Script Editor:
Regina Lee
Joan Sauers
Sheila Hanahan
Christopher Vogler
Michael Hauge
Script Supervisor:
Kelly Haines
Second Assistant Camera:
Claire Bishop
Davi Soesilo
Second Assistant Director:
Wayne Nassereddine
Second Unit Director:
Damian Walshe-Howling
Second Unit Director of Photography:
Jonathan Rossiter
Set Decoration:
Jonathon Hyde-Neary
Annalisa Francesca
Set Designer:
Kate Rawlins
Andrew Kattie
Set Dresser:
Thomas Healey
Set Painter:
Stephen Roedel
Sound Designer:
Nigel Christensen
Sound Effects Editor:
Andrew Miller
Sound Re-Recording Mixer:
Sam Hayward
Sound Recordist:
Will Sheridan
Still Photographer:
Alina Gozin'a
Storyboard Artist:
Sam Uther
Stunt Coordinator:
Keir Beck
VFX Editor:
Laurie Hughes
VFX Lighting Artist:
Caleb Hecht
VFX Supervisor:
William Gammon
Visual Effects:
Mahdi Manar
Andrea schiavone
Visual Effects Producer:
Bec Janek
John Dietz
Gabrielle Joosten
Visual Effects Production Manager:
Sandra Mondange
Visual Effects Supervisor:
Mark van den Bergen
Writer:
Seth Larney
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.