Saïd Ben Saïd (b. 1966)

Birthplace:
Tunis, Tunisia

Born:
July 11, 1966

Saïd Ben Saïd (born 11 July 1966) is a Tunisian-French film producer.  He grew up in Carthage and became passionate about cinema, to the point of bringing VHS tapes from France with the help of a diplomatic friend of his parents. He came to Paris in 1984 to do his higher studies at Lycée privé Sainte-Geneviève in Versailles and then at ESTP. He then worked as an engineer at Lyonnaise des Eaux and then at M6.  In 1996, he joined UGC, producing films by André Téchiné, Barbet Schroeder, Pascal Bonitzer and Alain Corneau. In 2010, he founded his own company, SBS Productions and produced films by Roman Polanski - Carnage (2011), Brian De Palma - Passion (2012), Philippe Garrel - Jealousy (2013), David Cronenberg - Maps to the Stars (2014), Walter Hill - The Assignment (2016) and Paul Verhoeven - Elle (2016) & Benedetta (2021).  In 2009, he signed a petition in support of Roman Polanski, calling for his release after Polanski was arrested in Switzerland in relation to his 1977 charge for drugging and raping a 13-year-old girl.  Source: Article "Saïd Ben Saïd" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


Producer:
2000  Total Western
2001  Far Away
2003  Ruby & Quentin
2004  Lucky Luke and the Daltons
2007  Black Sun
2007  The Witnesses
2008  The Great Alibi
2008  The Killer
2009  Lucky Luke
2009  The Girl on the Train
2010  Love Crime
2011  Carnage
2011  Unforgivable
2012  Looking for Hortense
2013  A Castle in Italy
2013  Jealousy
2013  Passion
2014  Maps to the Stars
2015  In the Shadow of Women
2015  Valentin Valentin
2016  Aquarius
2016  Elle
2016  Right Here Right Now
2016  The Assignment
2017  Lover for a Day
2018  Place publique
2019  Bacurau
2019  Frankie
2019  Synonyms
2019  The Spellbound
2021  Benedetta
2021  Good Mother
2021  Tralala
2023  Last Summer
2023  Passages
2024  Auction
2024  Jim's Story
2024  The Shrouds
????  Sans Compter

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.