Home

The Shrouds (2025) [R]

Release Date:
April 3, 2025

Original Title:
The Shrouds

Alternate Titles:
Les linceuls
Саван
수의

Genres:
Drama | Horror | Science Fiction | Thriller

Production Companies:
Gravetech Productions
Prospero Pictures
SBS Productions
Saint Laurent Productions

Production Countries:
Canada | France

Ratings / Certifications:
AU: MA 15+  CA: 18A  FR: 12  GB: 15  IT: 14+  PT: M/14  RU: 18+  SG: R21  TW: 15+  US: R 

Runtime: 120

How dark are you willing to go?

Overview from TheMovieDB

Inconsolable since the death of his wife, Karsh, a prominent businessman, invents a revolutionary and controversial technology that enables the living to monitor their dear departed in their shrouds. One night, multiple graves, including that of Karsh’s wife, are desecrated, and he sets out to track down the perpetrators.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Teaser

Featurette

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

Art Direction:
Jason Clarke

Assistant Costume Designer:
Anna Dal Farra

Assistant Gaffer:
Vasco JW Silva

Assistant Grip:
Brian E. Hill

Assistant Production Coordinator:
Sandra Alcocer

Boom Operator:
Jason McFarling

Camera Operator:
Andreas Evdemon

Casting:
Deirdre Bowen

Co-Producer:
Steve Solomos

Costume Design:
Anne Dixon

Costume Set Supervisor:
Jozie Conte

Costume Supervisor:
Jane Flanders

Costumer:
Silvana Sacco

Digital Compositor:
Benjamin Blatière
Téo L'Huillier
Emmanuel Le Courbe
Louis Lion
Emilia Napame
Eve Panneau
Vincent Perzo
Thomas Ravaud
Jordan Recoquillon
Jacob Rogers
Anima Rolland

Director:
David Cronenberg

Director of Photography:
Douglas Koch

Dolly Grip:
Jason Greenslade

Driver:
Arlene Halpenny-Heeley

Editor:
Christopher Donaldson

Executive Producer:
Kevin Chneiweiss
Marieke Tricoire
Kateryna Merkt
Charles Tremblay
Ariane Giroux-Dallaire

First Assistant Director:
David Warry-Smith

Foley Artist:
Steve Baine
Fraser Gee

Foley Recordist:
Peter Persaud
Daniel Moctezuma

Graphic Designer:
Shari Spier

Grip:
Briana Blades

Hair Department Head:
Paula Fleet

Key Grip:
Mark Manchester

Key Hair Stylist:
Jaime Donnelly

Key Makeup Artist:
Larissa Palaszczuk

Key Rigging Grip:
Terry Barbet

Lighting Technician:
Chris Pye

Location Manager:
Srđan Vilotijević

Main Title Designer:
Justin Stephenson

Makeup Department Head:
Diane Mazur

Original Music Composer:
Howard Shore

Picture Car Coordinator:
Glenn Hughes

Post Production Supervisor:
Douglas Wilkinson

Producer:
Saïd Ben Saïd
Martin Katz
Michel Merkt
Anthony Vaccarello

Production Assistant:
Winnie W. Wong

Production Design:
Carol Spier

Production Manager:
Deborah Marks

Prosthetic Makeup Artist:
Monica Pavez

Prosthetics:
Alexandra Anger

Script Supervisor:
Dug Rotstein

Seamstress:
Anna-Claude Biron

Second Assistant Director:
Ken A. Smith

Set Dresser:
Jefferson Gonsalves
Vincent Harper
Ian Santiana

Sound Effects Editor:
Paul Germann
David Rose

Sound Mix Technician:
Mark Zsifkovits

Sound Mixer:
Christian T. Cooke
Trevor Goulet

Sound Re-Recording Mixer:
Mark Zsifkovits
Christian T. Cooke

Still Photographer:
Sophie Giraud

Supervising Sound Editor:
Rob Bertola
Jill Purdy

Third Assistant Director:
Billy Gridley

Visual Effects Producer:
Pierre Procoudine-Gorsky

Visual Effects Supervisor:
Guillaume Le Gouez
Peter McAuley

Writer:
David Cronenberg

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.