Kevin Atkinson

Birthplace:
Santa Cruz, California, USA

Kevin Atkinson designs lighting set-ups and camera work for Hollywood. His work can be seen on ABC, NBC, HBO, Netflix, Amazon, Hulu, as well as for Universal, Sony Pictures, and Warner Brothers. Kevin’s interest in film began in his parents’ independent movie theater in Santa Cruz, California where he spent much of his childhood watching foreign and art films.  In his twenties, Kevin traveled the world and studied several languages. He then spent his thirties as a freelance cinematographer, shooting everything from union feature films in Hollywood to small independent documentaries in Africa.  The American Society of Cinematographers has recognized Kevin as a finalist for The Robert Surtees Heritage Award for Cinematography. He is also the recipient of the Ralf Bode Eastman Kodak Award for Cinematography for his body of work.  Kevin holds a B.A. in Anthropology from the University of California, Santa Barbara. He later graduated with honors in cinematography from The Los Angeles Film School.  Between shoots he has taught cinematography at University of Southern California (USC school of Cinematic Arts), The Los Angeles Film School, and the University of California at Los Angeles (UCLA School of Theater, Film and Television)  He currently lives in the Los Angeles area with his wife Susan and their two sons, Luke and Silas.

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Director of Photography:
2017  Wet Hot American Summer: Ten Years Later
2018  Alone Together
2022  Murderville

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.