A work in constant progress (and occasional regress).
Release Date:
September 9, 2008
Original Title:
The Red Room
Genres:
Drama | Thriller
Production Companies:
Avery Productions
Burnt Pictures
No Remake Pictures
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 15
In the middle of an uncharacteristically chilly Los Angeles night, 2 men meet for the first time on a rooftop, somewhere downtown. One of the men, Hadley Prince, is calm and in control. The other man, Nicholas Rowe, has come with an envelope full of cash. He is shaky, sweaty, and visibly nervous. As the evening progresses, Hadley leads Nick to an upscale top floor apartment, a quiet balcony, and ultimately into the strange revealing confines of The Red Room: where right and wrong, love and hate, even life and death....are all relative.
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Assistant Director:
Adam Lawson
Erin Egan
Associate Producer:
Josh Helland
Boom Operator:
Eric Binns
Cinematography:
Kevin Atkinson
Director:
JT Mollner
Director of Photography:
Kevin Atkinson
Editor:
Christopher Kroll
Editorial Staff:
Hudie Ayalon
Electrician:
Zack Wilcox
Executive Producer:
Michael Milton
Nathan Russell
First Assistant Camera:
Joey Maloney
Gaffer:
Derek J. Vass
Grip:
Jerad Dane Bensik
Brian S. Nelson
Makeup Artist:
Liz Mendoza
Crystal M. Stone
Makeup Effects:
Liz Mendoza
Music:
Ian Young
Music Editor:
Christopher Kroll
Post Production Supervisor:
Charley Allen
Producer:
JT Mollner
Chris Ivan Cevic
Production Office Assistant:
Daniel Fineman
Script Supervisor:
Mary Louise McCloskey
Set Decoration:
Marcia Dios
Sound Editor:
Ken Cain
Sound Mixer:
Gerald B. Wolfe
Ken Cain
Steadicam Operator:
Ashley Carpenter
Technical Supervisor:
John Allen Phillips
Writer:
JT Mollner
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.