A work in constant progress (and occasional regress).
Alias:
Alicia Digart
Astrid
Astrid Lillimore
Barbara Que
Beatrice Dunn
Briget
Brigette
Cynthia Jones
Debbie
Debbie Bowman
Elke Vann
Elke Von
Euji Swenson
Fiona
Francine Franklin
H. Sohl
Heide Sohl
Ingred Young
Joanie Ulrich
Jobi Winston
Marie Brown
Marie Marceau
Marni
Olga
Pat Tarqui
Ronnie Roundheels
Sally Martin
Sheila Gramer
Ursula Bernell
Ursula Digard
Uschi Bernell
Uschi Dansk
Uschi Digart
Ushi
Ushi Digant
Ushi Digart
Ushie Digger
Ves Pray
Уши Дигард
Birthplace:
Saltsjö-Duvnäs, Stockholms län, Sweden
Born:
August 15, 1948
Uschi Digard was born in Saltsjö-Duvnäs, near Stockholm, Sweden in 1948. At 16 she left home, traveled to Paris and spent a year there and later in Italy before journeying further to England. She returned to her native Sweden but finally settled in the United States in 1967. Working as a translator for the jewelry trade, she was told so often that she should model that she eventually decided to give it a try. Before long she was appearing in softcore erotic films and was eventually "discovered" by filmmaker Russ Meyer. After a long and illustrious career she retired in 1989. She speaks eight languages (German, Italian, Spanish, Swedish, Danish, Norwegian, French and English). Now married, she lives in Palm Springs, California, for two weeks out of every month; the rest of the time she spends in her private pad in North Hollywood.
Associate Producer:
1976 Up!
1977 Can I Do It Till I Need Glasses?
1979 Beneath the Valley of the Ultra-Vixens
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.