Giuseppe De Santis (1917-1997)

Alias:
Gino de Sanctis
Giuseppe De Sanctis
Giuseppe Desantis
Giuseppe de Santis
Joe de Santis
Джузеппе Де Сантис

Birthplace:
Fondi, Lazio, Italy

Born:
February 11, 1917

Died:
May 16, 1997

Giuseppe De Santis (11 February 1917 – 16 May 1997) was an Italian film director. One of the most idealistic neorealist filmmakers of the 1940s and 1950s, he wrote and directed films punctuated by ardent cries for social reform.  In 1942, De Santis collaborated on the script for Ossessione, Luchino Visconti's debut film, which is usually considered one of the first neo-realist films.  His third film Bitter Rice (1950), the story of a young woman working in the rice fields who must choose between two socially disparate suitors, made a star of Silvana Mangano and was a landmark of the new cinematic style. It also earned De Santis an Academy Award nomination for Best Original Story.

Additional information:

The Search Form


Assistant Director:
1944  Ossessione

Dialogue:
1944  Ossessione

Director:
1944  Ossessione
1945  Days of Glory
1947  Tragic Hunt
1949  Bitter Rice
1950  Under the Olive Tree
1952  Rome 11:00
1953  A Husband for Anna
1954  Days of Love
1957  Men and Wolves
1958  The Year Long Road
1960  The Apartment
1964  Attack and Retreat
1972  One Appreciated Professional of Sure Future

Original Film Writer:
1944  Ossessione
1945  Days of Glory
1947  Tragic Hunt
1949  Bitter Rice
1950  Under the Olive Tree
1952  Rome 11:00
1953  A Husband for Anna
1954  Days of Love
1957  Men and Wolves
1958  The Year Long Road
1960  The Apartment
1964  Attack and Retreat
1972  One Appreciated Professional of Sure Future
2017  National Theatre Live: Obsession

Producer:
1944  Ossessione
1945  Days of Glory
1947  Tragic Hunt
1949  Bitter Rice
1950  Under the Olive Tree
1952  Rome 11:00
1953  A Husband for Anna
1954  Days of Love
1957  Men and Wolves
1958  The Year Long Road
1960  The Apartment
1964  Attack and Retreat
1972  One Appreciated Professional of Sure Future
2017  National Theatre Live: Obsession

Screenplay:
1944  Ossessione
1945  Days of Glory
1946  Desire
1946  Outcry
1947  Tragic Hunt
1949  Bitter Rice
1950  Under the Olive Tree
1952  Rome 11:00
1953  A Husband for Anna
1954  Angels of Darkness
1954  Days of Love
1957  Men and Wolves
1958  The Year Long Road
1960  The Apartment
1964  Attack and Retreat
1972  One Appreciated Professional of Sure Future
2017  National Theatre Live: Obsession

Story:
1944  Ossessione
1945  Days of Glory
1946  Desire
1946  Outcry
1947  Tragic Hunt
1949  Bitter Rice
1950  Under the Olive Tree
1952  Rome 11:00
1953  A Husband for Anna
1954  Angels of Darkness
1954  Days of Love
1957  Men and Wolves
1958  The Year Long Road
1960  The Apartment
1963  The Visitor
1964  Attack and Retreat
1972  One Appreciated Professional of Sure Future
2017  National Theatre Live: Obsession

Writer:
1944  Ossessione
1945  Days of Glory
1946  Desire
1946  Outcry
1947  Tragic Hunt
1949  Bitter Rice
1950  Under the Olive Tree
1952  Rome 11:00
1953  A Husband for Anna
1954  Angels of Darkness
1954  Days of Love
1957  Engaged to Death
1957  Men and Wolves
1958  The Year Long Road
1960  The Apartment
1963  The Visitor
1964  Attack and Retreat
1972  One Appreciated Professional of Sure Future
2017  National Theatre Live: Obsession

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.