A work in constant progress (and occasional regress).
Release Date:
November 19, 1954
Original Title:
Giorni d'amore
Alternate Titles:
Days of Love
Jours d'amour
Genres:
Comedy | Drama | Romance
Production Companies:
Excelsa Film
Minerva Film
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 98
A man and a woman would like to get married, but lack the necessary funds for the traditional "big" wedding. Thus they plan to escape to the countryside and "live in sin".
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Assistant Camera:
Arturo Zavattini
Assistant Editor:
Maria Sterbini
Ruggero Mastroianni
Boom Operator:
Remo Palmieri
Camera Operator:
Roberto Gerardi
Co-Director:
Leopoldo Savona
Conductor:
Mario Nascimbene
Costume Design:
Domenico Purificato
Director:
Giuseppe De Santis
Director of Photography:
Otello Martelli
Editor:
Gabriele Varriale
First Assistant Director:
Elio Petri
Gaffer:
Massimo Massimi
Hairstylist:
Maria Miccinilli
Key Grip:
Mazzini Salvatori
Makeup Artist:
Libero Politi
Original Music Composer:
Mario Nascimbene
Production Coordinator:
Mario Silvestri
Production Design:
Domenico Purificato
Production Secretary:
Alessandro von Norman
Antonio Girasante
Spartaco Conversi
Production Supervisor:
Nello Meniconi
Screenplay:
Libero De Libero
Giuseppe De Santis
Elio Petri
Gianni Puccini
Script Supervisor:
Giovanna Valeri
Second Assistant Director:
Paolo Russo
Set Decoration:
Giovanni Checchi
Sound:
Luigi Puri
Sound Recordist:
Ascanio Ripandelli
Story:
Libero De Libero
Giuseppe De Santis
Elio Petri
Gianni Puccini
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.