A work in constant progress (and occasional regress).
Alias:
Інгрід Бергман
잉그리드 버그먼
잉그리드 베르히만
잉그리드 베리만
잉그리드 베리히만
Birthplace:
Stockholm, Sweden
Born:
August 29, 1915
Died:
August 29, 1982
Ingrid Bergman (29 August 1915 – 29 August 1982) was a Swedish actress who starred in a variety of European and American films, television movies, and plays. With a career spanning five decades, she is often regarded as one of the most influential screen figures in cinematic history. According to the St. James Encyclopedia of Popular Culture, upon her arrival in the U.S. Bergman quickly became "the ideal of American womanhood" and a contender for Hollywood's greatest leading actress. David O. Selznick once called her "the most completely conscientious actress" he had ever worked with. In 1999, the American Film Institute recognised Bergman as the fourth greatest female screen legend of Classic Hollywood Cinema. She won numerous accolades, including three Academy Awards, two Primetime Emmy Awards, a Tony Award, four Golden Globe Awards, BAFTA Award and a Volpi Cup. She is one of only four actresses to have received at least three acting Academy Awards (only Katharine Hepburn has four). Born in Stockholm to a Swedish father and a German mother, Bergman began her acting career in Swedish and German films. Her introduction to the U.S. audience came in the English-language remake of Intermezzo (1939). Known for her naturally luminous beauty, she starred in Casablanca (1942) as Ilsa Lund, her most famous role, opposite Humphrey Bogart. Bergman's notable performances in the 1940s include the dramas For Whom the Bell Tolls (1943), Gaslight (1944), The Bells of St. Mary's (1945), and Joan of Arc (1948), all of which earned her nominations for the Academy Award for Best Actress; she won for Gaslight. She made three films with Alfred Hitchcock: Spellbound (1945), with Gregory Peck, Notorious (1946), opposite Cary Grant and Under Capricorn (1949), alongside Joseph Cotten. In 1950, she starred in Roberto Rossellini's Stromboli, released after the revelation she was having an affair with Rossellini; that and her pregnancy prior to their marriage created a scandal in the U.S. that prompted her to remain in Europe for several years. During this time she starred in Rossellini's Europa '51 and Journey to Italy (1954), now critically acclaimed, the former of which won her the Volpi Cup for Best Actress. She had a successful return to working for a Hollywood studio in Anastasia (1956), winning her second Academy Award for Best Actress. Soon after, she co-starred with Grant in the romance Indiscreet (1958). In 1969, she starred in the acclaimed and highly successful film Cactus Flower. In later years, Bergman won her third Academy Award, this one for Best Supporting Actress, for her role in Murder on the Orient Express (1974). In 1978, she starred in Ingmar Bergman's (no relation) Swedish Autumn Sonata receiving her sixth Best Actress nomination. Bergman spoke five languages – Swedish, English, German, Italian and French – and acted in each. In her final role, she portrayed the late Israeli Prime Minister Golda Meir in the television miniseries A Woman Called Golda (1982) for which she posthumously won her second Emmy Award for Best Actress. In 1974, Bergman discovered she was suffering from breast cancer but continued to work until shortly before her death on her sixty-seventh birthday.
1999 #4 |
100 Years: 100 STARS
25 Greatest American Screen Legends (Women) |
Producer:
1964 The Visit
Thanks:
1964 The Visit
1965 Tokyo Olympiad
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.