A work in constant progress (and occasional regress).
Release Date:
December 31, 1964
Original Title:
The Yellow Rolls-Royce
Alternate Titles:
A sárga Rolls-Royce
Der gelbe Rolls-Royce
Keltainen Rolls-Royce
La Rolls-Royce jaune
O Rolls-Royce Amarelo
Sarı Otomobil
Una Rolls-Royce gialla
Żółty Rolls-Royce
Žlutý Rolls-Royce
Žuti Rols-Rojs
Η κίτρινη Ρολλς Ρόυς
Жути Ролс-Ројс
Жёлтый роллс-ройс
黄色いロールスロイス
Genres:
Comedy | Drama | Romance
Production Companies:
De Grunwald Productions
Metro-Goldwyn-Mayer
Metro-Goldwyn-Mayer British Studios
Production Countries:
United Kingdom
Ratings / Certifications:
GB: U US: NR
Runtime: 122
One Rolls-Royce belongs to three vastly different owners, starting with Lord Charles, who buys the car for his wife as an anniversary present. The next owner is Paolo Maltese, a mafioso who purchases the car during a trip to Italy and leaves it with his girlfriend while he returns to Chicago. Finally, the car is owned by American widow Gerda, who joins the Yugoslavian resistance against the invading Nazis.
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ADR & Dubbing:
J.B. Smith
Art Direction:
William Kellner
Vincent Korda
Elliot Scott
Assistant Art Director:
Maurice Fowler
Terry Knight
Kenneth McCallum Tait
Assistant Director:
Kip Gowans
Assistant Editor:
Chris Kelly
Associate Producer:
Roy Parkinson
Camera Operator:
Gerry Fisher
Austin Dempster
Casting:
Irene Howard
Clapper Loader:
Douglas Milsome
Conductor:
Riz Ortolani
Continuity:
Pamela Carlton
Costume Design:
Antonio Cánovas del Castillo de Rey
Anthony Mendleson
Gene Coffin
Pierre Cardin
Edith Head
Director:
Anthony Asquith
Director of Photography:
Jack Hildyard
Draughtsman:
John Graysmark
Ted Tester
Reg Bream
Dressing Prop:
Mickey Lennon
Editor:
Frank Clarke
Focus Puller:
Wally Fairweather
Chic Anstiss
Grip:
Dennis Fraser
Hairdresser:
Joan Johnstone
Hairstylist:
Maria Carita
Rosy Carita
Giorgio Sciommer
Sydney Guilaroff
Lyricist:
Norman Newell
Makeup Artist:
Tom Smith
John O'Gorman
Original Music Composer:
Riz Ortolani
Producer:
Anatole de Grunwald
Production Accountant:
George Davis
Production Manager:
Timothy Burrill
Recording Supervision:
A.W. Watkins
Screenplay:
Terence Rattigan
Second Assistant Director:
Robert Watts
Second Unit Cinematographer:
Douglas Adamson
Set Decoration:
John Jarvis
Pamela Cornell
Songs:
Katyna Ranieri
Sound Editor:
Philip Barnikel
Sound Recordist:
Cyril Swern
Special Effects:
Tom Howard
Transportation Captain:
Eddie Frewin
Unit Manager:
Jimmy Komisarjevsky
Wardrobe Supervisor:
Rebecca Breed
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.