Zbigniew Brejtkopf

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Assistant Production Manager:
1957  The Real End of the Great War
1959  Night Train
1961  The People from the Train
1963  Silence
1965  Bugler's Monologue
1966  Then There Will Be Silence
1967  Skinny and Others
1969  More Than Life At Stake Part Six
1970  Szkice warszawskie
1972  The Sun Rises Once a Day

Production Assistant:
1957  The Real End of the Great War
1959  Eagle
1959  Night Train
1961  The People from the Train
1963  Silence
1965  Bugler's Monologue
1966  Then There Will Be Silence
1967  Skinny and Others
1969  More Than Life At Stake Part Six
1970  Szkice warszawskie
1972  The Sun Rises Once a Day

Production Director:
1957  The Real End of the Great War
1958  Somnambulists
1959  Eagle
1959  Night Train
1961  The People from the Train
1963  Silence
1965  Bugler's Monologue
1966  Then There Will Be Silence
1967  Skinny and Others
1969  More Than Life At Stake Part Six
1970  Szkice warszawskie
1972  The Sun Rises Once a Day

Production Manager:
1957  Koniec nocy
1957  The Real End of the Great War
1958  Somnambulists
1959  Eagle
1959  Night Train
1961  The People from the Train
1963  Silence
1965  Bugler's Monologue
1965  Identification Marks: None
1966  Then There Will Be Silence
1967  Skinny and Others
1969  More Than Life At Stake Part Six
1970  Szkice warszawskie
1971  Five and Half of Pale Joe
1972  The Sun Rises Once a Day
1977  Red Thorns
1979  Identification Marks None
1980  Na własną prośbę

Unit Manager:
1957  Kanal
1957  Koniec nocy
1957  The Real End of the Great War
1958  Somnambulists
1959  Eagle
1959  Night Train
1960  Good Bye, Till Tomorrow
1961  The People from the Train
1963  Silence
1965  Bugler's Monologue
1965  Identification Marks: None
1966  Then There Will Be Silence
1967  Skinny and Others
1969  More Than Life At Stake Part Six
1970  Szkice warszawskie
1971  Five and Half of Pale Joe
1972  The Sun Rises Once a Day
1977  Red Thorns
1979  Identification Marks None
1980  Na własną prośbę

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.